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Edouard Glissant and Postcolonial Theory
Edouard Glissant has written extensively in French about the colonial experience in the Caribbean. Since he is known primarily as a novelist and poet, his theoretical essays have so far remained largely unread by the English-language theorists in this field. This book situates Glissant within ongoing debates in postcolonial theory, making illuminating connections between his work and that of Frantz Fanon, Gayatri Spivak, Homi Bhabha, and Henry Louis Gates Jr. Focusing on language and subjectivity, Edouard Glissant and Postcolonial Theory moves between an analysis of Glissant's theoretical work and detailed readings of his novels to elucidate a network of related issues. Celia Britton address...
The nouveau roman and Writing in Britain After Modernism
The nouveau roman and Writing in Britain After Modernism recovers a neglected literary history. In the late 1950s, news began to arrive in Britain of a group of French writers who were remaking the form of the novel. In the work of Michel Butor, Marguerite Duras, Robert Pinget, Alain Robbe-Grillet, Nathalie Sarraute, and Claude Simon, the hallmarks of novelistic writing—discernible characters, psychological depth, linear chronology—were discarded in favour of other aesthetic horizons. Transposed to Britain's highly polarized literary culture, the nouveau roman became a focal point for debates about the novel. For some, the nouveau roman represented an aberration, and a pernicious turn ag...
Writing and Translating Francophone Discourse
This book is a much needed contribution to interdisciplinary research on the intersection of French and Francophone Studies and Translation Studies. It highlights the symbiotic relationship between the two disciplines whereby theories and concepts developed in translation studies provide useful models and paradigms for studying francophone literature, while major concepts that hold sway in the francophone world provide a solid basis for elucidating and understanding translation phenomena. The book is at once a contribution to the growing field of postcolonial francophone studies and the sub-area of postcolonial translation theory. Contributors are experts from a variety of disciplines and hail from various regions across the globe. What unites them is their interest in translation and its conceptualization both as an interlinguistic practice and a metaphor for intercultural communication and transcultural relations. The contributions draw on literature, film, historical documents and critical theories by French and francophone thinkers, highlighting the significance of translation for African, Caribbean and migrant francophone discourse.
Claude Simon
This collection of essays celebrates the work of the French Nobel prize-winning novelist Claude Simon. Scholars reconsider the fifty years of Simon's fiction in the light of his large-scale autobiographical novel, 'Le Jardin des Plantes' (1997). From a variety of perspectives - postmodernist, psychoanalytic, aesthetic - chapters reflect on the central paradox of Simon's work: his writing and rewriting of an experience of war so disruptive and traumatic that words can never be adequate to communicate it.
Understanding Barthes, Understanding Modernism
Understanding Barthes, Understanding Modernism is a general assessment of the modern literary and philosophical contributions of Roland Barthes. The first part of the volume focuses on work published prior to Barthes's death in 1980 covering the major periods of his development from Writing Degree Zero (1953) to Camera Lucida: Reflections on Photography (1980). The second part focuses both on the posthumously published material and the legacies of his work after his death in 1980. This later work has attracted attention, for example, in conjunction with notions of the neutral, gay writing, and critiques of everyday life. The third part is devoted to some of the critical vocabulary of Barthes in both the work he published during his lifetime, and that which was published posthumously.
Soundings in French Caribbean Writing Since 1950
Over the second half of the twentieth century, a substantial flow of writing emerged from the French-held Caribbean. Much of this work is both theoretically knowing and poetically potent and has attracted international attention to the literary resonances of the uniquely complex geo-historical situation of the Caribbean, and indeed of the Americas in general. Much of its passion, pertinence, and appeal inheres in its approach to time and to space, an approach still reverberating with the shock of displacement and its various after-tremors: an exploded sense of diversity; radical relativization; the profound expropriations of enslavement; colonial erosion. Through readings of high-profile as ...
Language and Literary Form in French Caribbean Writing
This book links postcolonial theory with structuralism and poststructuralism to show how analysis of the textual illuminates the political and ideological positions of French Caribbean writers.
Language and Literary Form in French Caribbean Writing
This title links postcolonial theory with structuralism and poststructuralism to show how analysis of the textual illuminates the political and ideological positions of writers.
Treatise on the Whole-World
This exciting, challenging book covers a wide range of subject matter, but all linked together through the key ideas of diversity and ‘Relation’. It sees our modern world, shaped by immigration and the aftermath of colonization, as a multiplicity of different communities interacting and evolving together, and argues passionately against all political and philosophical attempts to impose uniformity, universal or absolute values. This is the ‘Whole-World’, which includes not only these objective phenomena but also our consciousness of them. Our personal identities are not fixed and self-sufficient but formed in ‘Relation’ through our contacts with others. Glissant constantly stress...
