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The terms 'creole' and 'creolization' have witnessed a number of significant semantic changes in the course of their history. Originating in the vocabulary associated with colonial expansion in the Americas it had been successively narrowed down to the field of black American culture or of particular linguistic phenomena. Recently 'creole' has expanded again to cover the broad area of cultural contact and transformation characterizing the processes of globalization initiated by the colonial migrations of past centuries. The present volume is intended to illustrate these various stages either by historical and/or theoretical discussion of the concept or through selected case studies. The auth...
This second collection, complementing ASNEL Papers 9.1, covers a similar range of writers, topics, themes and issues, all focusing on present-day transcultural issues and their historical antecedents. Topics treated: Preparing for post-apartheid in South African fiction; Maori culture and the New Historicism; Danish-New Zealand acculturation; linguistic approaches to ‘void’; women’s overcoming in Southern African writing; new post-apartheid approaches to literary studies; Afrikanerdom; postmodern psychoanalytic interpretations of Indian religion and identity; transcultural identity in the encounter with London: Malaysian, Nigerian, Pakistani; hypertextual postmodernism; fictionalized m...
The present volume contains general essays on: unequal African/Western academic exchange; the state and structure of postcolonial studies; representing male violence in Zimbabwe’s wars; parihaka in the poetic imagination of Aotearoa New Zealand; Middle Eastern, Nigerian, Moroccan, and diasporic Indian women’s writing; community in post-Independence Maltese poetry in English; key novels of the Portuguese colonies; the TV series The Kumars at No. 42; fictional representations of India; the North in western Canadian writing; and a pedagogy of African-Canadian literature. As well as these, there is a selection of poems from Malta by Daniel Massa, Adrian Grima, Norbert Bugeja, Immanuel Mifsud...
Chaos. Pain. Self-mutilation. Women starve themselves. They burn or slash their own flesh or their babies’ throats, and slam their newborns against walls. Their bodies are the canvases on which the suffering of the soul carves itself with knife and razor. In Australian fiction written by women between 1984 and 1994, female characters inscribe their inner chaos on their bodies to exert whatever power they have over themselves. Their self-inflicted pain is both reaction and language, the bodily sign not only of their enfeeblement but also to a certain extent of their empowerment, of themselves and their world. The texts considered in this book – chiefly by Margaret Coombs, Kate Grenville, ...
Issu d'un colloque organisé en 2003 à l'Université P. Valéry, ces textes analysent les oeuvres de fiction contemporaines s'inspirant des récits d'esclaves des XVIIIe et XIXe siècles. Ils s'interrogent sur l'intérêt porté à ce genre de récit, tant du point de vue des écrivains que des lecteurs.
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