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The Life and Labours of Sir Charles Bell
Reprint of the original, first published in 1860.
Physiognomy and the Meaning of Expression in Nineteenth-Century Culture
This is a 2001 study of the emergence of physiognomy as a form of popular science.
Beyond the Rhetoric of Pain
Beyond the Rhetoric of Pain presents a fresh, interdisciplinary approach to the current research on pain from a variety of scholarly angles within Literature, Film and Media, Game Studies, Art History, Hispanic Studies, Memory Studies, Anthropology, Sociology, Philosophy, and Law. Through the combination of these perspectives, this volume goes beyond the existing structures within and across these disciplines framing new concepts of pain in attitude, practice, language, and ethics of response to pain. Comprised of fourteen unique essays, Beyond the Rhetoric of Pain maintains a common thread of analysis using a historical and cultural lens to explore the rhetoric of pain. Considering various methodologies, this volume questions the ethical, social and political demands pain makes upon those who feel, watch or speak it. Arranged to move from historical cases and relevance of pain in history towards the contemporary movement, topics include pain as a social figure, rhetorical tool, artistic metaphor, and political representation in jurisprudence.
Sir Charles Bell
Sir Charles Bell (1774-1842), the Scottish anatomist-surgeon, was a true polymath. His original ideas on the nervous system have been likened to those of William Harvey on the circulation of blood, and his privately published pamphlet detailing his ideas about the brain has been called the Magna Carta of neurology. He described the separate functions of different parts of the nervous system, new nerves and muscles, and several previously unrecognized neurological disorders, and he characterized the features of the facial palsy and its associated features now named after him. His sketches and paintings of the wounded from the Napoleonic Wars and his essays on the anatomical basis of expressio...
