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This volume relates and analyzes the history of Chinese drama from its beginnings during the Song Dynasty until the end of 1988. There are two parts, one dealing with tradition and the old society down to 1949, the other with the New China. Among the world's civilizations China has one of the longest and finest traditions of drama. There is enormous variety in the many different styles of regional theater, and some of the minority nationalities have their own traditional forms as well. This is not only a fascinating topic but an important one for the arts of the world.
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This book traces the entrance of Western stage drama into China and the initial reception it received from Chinese intellectuals. Form the introduction of Western literature and dramatic concepts to China in the early twentieth century to the Chinese national theatre movement and renovation of Beijing opera, specific and social cultural conditions ushered the literature created in that environment. The central contention of this book is that the evolution of modern literary stage drama was an important aspect of the Chinese intellectual movement, transforming stage shows into messengers of social change. When two cultures collide, it can produce significant literary and cultural change. While there have been productive studies comparing the characteristics of Eastern and Western theatre, there has not yet been a study examining the social environments that brought these characteristics about.
Exploring one of the most dynamic and contested regions of the world, this series includes works on political, economic, cultural, and social changes in modern and contemporary Asia and the Pacific.
This anthology of fifteen plays introduces Western readers to some of the finest Chinese drama of the last twenty years. Representing writers from China, Taiwan, and Hong Kong, the plays offer a wide selection of living Chinese theater, from socialist-realist, to comedic, to the experimental and avant-garde.
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This is a book of the history of China’s contemporary drama. It provides a panorama of the ups and downs of Chinese drama. It tells how this western art has been adapted to the Chinese context and what it has offered to the world of theatre. It illustrates who the outstanding playwrights are and what great drama they have produced. The book shows how Chinese traditional culture has been blended with this western art form. The book also demonstrates how deeply drama is involve in Chinese politics and daily life.
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