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Writer, director, and producer Robert Herridge left an enduring mark on the small screen, from his stewardship of Camera Three in the early 1950s through the exciting days of live television. The minimalist Herridge style that placed performers in front of a camera on a nearly empty soundstage, as well as his unique brand of robust morbidity, produced some of the most powerful performances to grace early TV. Herridge pioneered dozens of innovative productions for the CBS and NBC networks in the 1950s and '60s, ranging from provocative adaptations of works by Shirley Jackson and Tennessee Williams to premier dance collaborations with George Balanchine and Agnes de Mille. He also created impor...
Jonathan Demme, one of the most influential and dynamic directors of the twentieth century, was a fearless and radical filmmaker, screenwriter, and producer—a compassionate artist, advocate, and humanist who was compelled to tell the stories of marginalized communities. His intense passion and appreciation of music, culture, and art were interwoven throughout his life and extraordinary body of work. There's No Going Back is the first complete biography of an auteur whose remarkable and versatile career encompassed acclaimed narratives, documentaries, and films spanning nearly five decades. Best known for Melvin and Howard (1980), The Silence of the Lambs (1991), Philadelphia (1993), and Be...
One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers—Harry, Albert, Sam, and Jack—whose v...
Terrence Malick is the most enigmatic film director currently working. Since the early seventies, his work has won top prizes at film festivals worldwide and brought him wide recognition as the cinematic equivalent of a poet. His life is shrouded in mystery, leaving audiences with rumors, few established facts, and virtual silence from the filmmaker himself following his last published interview in 1979. This has done nothing to dim the luminous quality of his films, from Badlands (1973) and Days of Heaven (1978), to later works such as The Thin Red Line (1998), The Tree of Life (2011), and A Hidden Life (2019). The Magic Hours: The Films and Hidden Life of Terrence Malick is the first true biography of this visionary filmmaker. Through interviews and in-depth research, John Bleasdale reveals the autobiographical grounding of many of Malick's greatest films as well as the development of an experimental form of filmmaking that constantly expands the language of cinema. It is the essential account for anyone wishing to understand Malick and his work.
V. 1-11. House of Lords (1677-1865) -- v. 12-20. Privy Council (including Indian Appeals) (1809-1865) -- v. 21-47. Chancery (including Collateral reports) (1557-1865) -- v. 48-55. Rolls Court (1829-1865) -- v. 56-71. Vice-Chancellors' Courts (1815-1865) -- v. 72-122. King's Bench (1378-1865) -- v. 123-144. Common Pleas (1486-1865) -- v. 145-160. Exchequer (1220-1865) -- v. 161-167. Ecclesiastical (1752-1857), Admiralty (1776-1840), and Probate and Divorce (1858-1865) -- v. 168-169. Crown Cases (1743-1865) -- v. 170-176. Nisi Prius (1688-1867).
Along with thousands of other girls who hoped to escape tedious employment and domesticity, June Mathis (1887–1927) started acting as a young teen. After more than a decade of stepping onto stages across the US, she moved into the burgeoning film business and behind the camera to begin a prolific career as a screenwriter and producer for profound movies like The Four Horsemen of the Apocalypse (1921) and Blood and Sand (1922). With her expert use of melodrama and masterful technique, Mathis would eventually become the first female head writer at Metro Pictures. In June Mathis: The Rise and Fall of a Silent Film Visionary, Thomas J. Slater illuminates Mathis's important and complicated life...
Born in Philadelphia in 1879, Ethel Barrymore would eventually prove herself a vital actor who was suited to radio, stage, and screen. After breaking out with Captain Jinks of the Horse Marines (1901), she performed in many plays, including Alice-Sit-by-the-Fire (1905), Déclassée (1919), and The Corn Is Green (1943), before investing her energies inlms such as The Spiral Staircase (1946) and Portrait of Jennie (1949). Barrymore ultimately won the Academy Award for Best Supporting Actress for her role in None but the Lonely Heart (1944) opposite Cary Grant. She knew Hollywood'sckle nature all too well, and she remained committed to the Drew and Barrymore stage acting legacy up until the tim...
Dynamic and debonair, Cesar Romero was best known for creating the role of the Joker in the 1960s Batman television series. As the first actor to play Batman and Robin's villainous nemesis, Romero established the character's giddy, manic tone and the distinctive laugh that subsequent actors like Jack Nicholson, Heath Ledger, and Joaquin Phoenix would use as the starting points in their own Oscar-nominated (Nicholson) and Oscar-winning (Ledger and Phoenix) performances. As a closeted gay man of Latin American descent, Romero gracefully faced many personal challenges while maintaining his suave public image and starring opposite legends ranging from Shirley Temple to Marlene Dietrich, Carmen M...
Once called "the most gifted character actor of our time" by Broadway theater producer Arthur Hopkins, Lionel Barrymore (1878–1954) was part of the illustrious Barrymore acting dynasty. Although he garnered success on stage and screen and was a talented actor, writer, director, visual artist, and composer, he never quite escaped the shadow of his family members—including his brother, John, famous for his leading roles. Barrymore won the Academy Award for Best Actor in A Free Soul (1931) and was nominated for Best Director for Madame X (1930). However, he is best known for his role as Mr. Potter in It's a Wonderful Life (1946) and as the voice of Ebenezer Scrooge in radio broadcasts of A ...