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The undead are back! In Undead in the West: Vampires, Zombies, Mummies, and Ghosts on the Cinematic Frontier, Cynthia J. Miller and A. Bowdoin Van Riper assembled a collection of essays that explored the unique intersection of two seemingly distinct genres in cinema: the western and the horror film. In this new volume, Undead in the West II: They Just Keep Coming, Miller and Van Riper expand their examination of undead Westerns to include not only film, but literature, sequential art, gaming, and fan culture (fan fiction, blogging, fan editing, and zombie walks). These essays run the gamut from comics and graphic novels such as American Vampire, Preacher, and Priest, and games like Darkwatch and Red Dead Redemption, to novels and short stories by celebrated writers including Robert E. Howard, Joe R. Lansdale, and Stephen King. Featuring a foreword by renowned science fiction author William F. Nolan (Logan’s Run) and an afterword by acclaimed game designer Paul O’Connor (Darkwatch), this collection will appeal to scholars of literature, gaming, and popular culture, as well as to fans of this unique hybrid.
Between 1932 and 1934, José Clemente Orozco painted the twenty-four-panel mural cycle entitled The Epic of American Civilization in Dartmouth College's Baker-Berry Library. An artifact of Orozco's migration from Mexico to the United States, the Epic represents a turning point in his career, standing as the only fresco in which he explores both US-American and Mexican narratives of national history, progress, and identity. While his title invokes the heroic epic form, the mural indicts history as complicit in colonial violence. It questions the claims of Manifest Destiny in the United States and the Mexican desire to mend the wounds of conquest in pursuit of a postcolonial national project. In Orozco's American Epic Mary K. Coffey places Orozco in the context of his contemporaries, such as Diego Rivera and David Alfaro Siqueiros, and demonstrates the Epic's power as a melancholic critique of official indigenism, industrial progress, and Marxist messianism. In the process, Coffey finds within Orozco's work a call for justice that resonates with contemporary debates about race, immigration, borders, and nationality.
Keeping track: a glossary of characters -- Bridging worlds with Andleg Mál -- Roots and layers of Andleg Mál -- Science and skepticism, belief and blasphemy -- Skyggnigáfa: the gift that keeps on giving -- Trance work -- Healers and healing -- Leaps of geography and faith
This Handbook is a unique encompassing overview of the figure of the Zombie. This project will show that while there are many zombies and many texts about zombies it is still often mistakenly viewed as little more than a sub-genre of Horror. However, its history and multiplicity warrants something far more ambitious in terms of cataloguing and defining its many forms, types and possible readings. Consequently, this Handbook proposes to feature elements of all the many and varied representations, narratives, and theories of the zombie, across cultures, histories and mediums to show that it is not just as multifaceted story-world, but is much more akin to a genre in its own right, or what we might term the Zombie Megatext.
According to several recent polls, more than 80 percent of Americans believe in life after death. Of those, many adhere to their beliefs because of religious faith. Beyond religion, though, there is increasing scientific examination of life after death hypotheses. Both religious and secular believers are more frequently using empirical research to answer the key questions of how consciousness may transcend corporeal life and death. These essays from leading survival theoreticians scientifically assay the issues and evidence. Interdisciplinary in nature, it covers diverse topics including the origins of life after death hypotheses; theoretical, methodological and empirical approaches to afterlife research; hallucination experiences; evidence for consciousness survival; birthmarks and previous-life memories; suicide; and spirit participation. Concluding chapters discuss the future of afterlife research and offer a new interpretation of consciousness survival.