Welcome to our book review site www.go-pdf.online!

You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.

Sign up

Conversations with Cinematographers
  • Language: en
  • Pages: 245

Conversations with Cinematographers

David A. Ellis has interviewed some of the most influential and highly regarded cameramen of the last half century and more, and he has assembled these exchanges in Conversations with Cinematographers. While their names may not be known by the general public, these men and their work have left indelible imprints on the silver screen. Among those interviewed are several award-winning artists: • Douglas Slocombe (Kind Hearts and Coronets, Julia, Raiders of the Lost Ark) • Oswald Morris (The Guns of Navarone, Fiddler on the Roof, Oliver!) • Christopher Challis (A Shot in the Dark, Chitty Chitty Bang Bang, Top Secret!) • Billy Williams (Women in Love, The Wind and the Lion, Gandhi) • F...

A Hidden History of Film Style
  • Language: en
  • Pages: 246

A Hidden History of Film Style

The image that appears on the movie screen is the direct and tangible result of the joint efforts of the director and the cinematographer. A Hidden History of Film Style is the first study to focus on the collaborations between directors and cinematographers, a partnership that has played a crucial role in American cinema since the early years of the silent era. Christopher Beach argues that an understanding of the complex director-cinematographer collaboration offers an important model that challenges the pervasive conventional concept of director as auteur. Drawing upon oral histories, early industry trade journals, and other primary materials, Beach examines key innovations like deep focus, color, and digital cinematography, and in doing so produces an exceptionally clear history of the craft. Through analysis of several key collaborations in American cinema from the silent era to the late twentieth centuryÑsuch as those of D. W. Griffith and Billy Bitzer, William Wyler and Gregg Toland, and Alfred Hitchcock and Robert BurksÑthis pivotal book underlines the importance of cinematographers to both the development of cinematic technique and the expression of visual style in film.

Reflections
  • Language: en
  • Pages: 292

Reflections

Case studies of film lighting by some of the world's leading cinematographers addressing key topics such as: basic techniques, light sources, portraits, day and night interiors, postproduction techniques and the design of sequences.

In Conversation with Cinematographers
  • Language: en
  • Pages: 243

In Conversation with Cinematographers

Although cinematographers are vital to the filmmaking process, they don’t always get the recognition they deserve. Directors of cinematography often are responsible for the look of a film and its lasting impression on the viewer, but their skills are not as readily appreciated as those of directors or screenwriters. David A. Ellis had the privilege of meeting with a number of accomplished cinematographers to discuss their art and craft. In Conversation with Cinematographers features interviews with 21 directors of photography--as well as two notable camera operators--most of whom still work in film and television today. In this volume, readers are taken behind the scenes of some of the mos...

American Cinematographer
  • Language: en
  • Pages: 618

American Cinematographer

  • Type: Book
  • -
  • Published: 1990
  • -
  • Publisher: Unknown

None

Masters of Light
  • Language: en
  • Pages: 376

Masters of Light

Through conversations held with fifteen of the most accomplished contemporary cinematographers, the authors explore the working world of the person who controls the visual look and style of a film. This reissue includes a new foreword by cinematographer John Bailey and a new preface by the authors, which bring this classic guide to cinematography, in print for more than twenty-five years, into the twenty-first century.

Understanding Cinematography
  • Language: en
  • Pages: 219

Understanding Cinematography

  • Type: Book
  • -
  • Published: 2015-07-31
  • -
  • Publisher: Crowood

Cinematography is the art and craft of visualizing and recording the moving image. The cinematographer therefore has to use their technical and creative skills to photographically capture the mood of the film and the vision of the director. Done properly, they add the magic and depth to a film, giving it a defining edge. This practical book explains the principles behind cinematography, as well as the skills of the cinematographer. Having described the equipment, it looks at how to interpret the script and advises on how to find a visual style. Written by a respected cinematographer, it also explains the roles of the camera crew and the importance of working as a team. Fully illustrated with 128 colour photographs.

Contemporary Cinematographers on Their Art
  • Language: en
  • Pages: 264

Contemporary Cinematographers on Their Art

  • Type: Book
  • -
  • Published: 1998-01-19
  • -
  • Publisher: CRC Press

The twelve interviews in this book cover all aspects of cinematography from pre-production planning to post-production, special effects, aerial photography, and second unit. Each interview gives a behind-the-scenes look at how some of the most popular shots in movies and television shows were lit and captured. Technically and philosophically oriented, Contemporary Cinematographers on Their Art explores the tools, trends, personalities, and professional achievements of contemporary cinematographers, highlighting the behind-the-scenes struggles of the business of making motion pictures. Each chapter delves into the personal challenges, political properties, inter-departmental interactions, and...

Principal Photography
  • Language: en
  • Pages: 262

Principal Photography

By using photography as a storytelling medium, the cinematographer plays a key role in translating a screenplay into images and capturing the director's vision of a film. This volume presents in-depth interviews with 13 prominent cinematographers, who discuss their careers and the art and craft of feature film cinematography. The interviewees—who represent the spectrum of big-budget Hollywood and low-budget independent filmmaking from the sixties through the nineties—talk about their responsibilities, including lighting, camera movement, equipment, cinematic grammar, lenses, film stocks, interpreting the script, the budget and schedule, and the psychological effect of images. Each interview is preceded by a short biography and a selected filmography, which provide the background for a detailed analysis of the photographic style and technique of many highly acclaimed and seminal films.

Cinematography
  • Language: en
  • Pages: 234

Cinematography

How does a film come to look the way it does? And what influence does the look of a film have on our reaction to it? The role of cinematography, as both a science and an art, is often forgotten in the chatter about acting, directing, and budgets. The successful cinematographer must have a keen creative eye, as well as expert knowledge about the constantly expanding array of new camera, film, and lighting technologies. Without these skills at a director’s disposal, most movies quickly fade from memory. Cinematography focuses on the highlights of this art and provides the first comprehensive overview of how the field has rapidly evolved, from the early silent film era to the digital imagery ...