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Secrecy, Law and Society
Commentators have shown how a ‘culture of security’ ushered in after the terrorist attacks of 11 September 2001 has involved exceptional legal measures and increased recourse to secrecy on the basis of protecting public safety and safeguarding national security. In this context, scholars have largely been preoccupied with the ways that increased security impinges upon civil liberties. While secrecy is justified on public interest grounds, there remains a tension between the need for secrecy and calls for openness, transparency and disclosure. In law, secrecy has implications for the separation of powers, due process, and the rule of law, raising fundamental concerns about open justice, p...
New Perspectives in Italian Cultural Studies
New Perspectives in Italian Cultural Studies. Volume 1: Definitions, Theory, and Accented Practices is a collection of essays that identifies a number of different approaches in cultural studies and in Italian cultural studies in particular. It highlights that history of cultural studies and new developments in the field as well focuses on practicing cultural studies with essays devoted to Italian hip hop culture, postcolonial Italy and queer diaspora, Occidentalism in Japan, Italian racism and colonialism.
Crisis Vision
In Crisis Vision, Torin Monahan explores how artists confront the racializing dimensions of contemporary surveillance. He focuses on artists ranging from Kai Wiedenhöfer, Paolo Cirio, and Hank Willis Thomas to Claudia Rankine and Dread Scott, who engage with what he calls crisis vision—the regimes of racializing surveillance that position black and brown bodies as targets for police and state violence. Many artists, Monahan contends, remain invested in frameworks that privilege transparency, universality, and individual responsibility in ways that often occlude racial difference. Other artists, however, disrupt crisis vision by confronting white supremacy and destabilizing hierarchies through the performance of opacity. Whether fostering a recognition of a shared responsibility and complicity for the violence of crisis vision or critiquing how vulnerable groups are constructed and treated globally, these artists emphasize ethical relations between strangers and ask viewers to question their own place within unjust social orders.
Revelations
From tabloid headlines to scientific discoveries to investigative documentaries, the claim that truth is being revealed is commonplace today. Such attention-grabbing claims can conjure allure, sell products, launch careers, cement authority and much more besides. And yet, despite the familiarity of revelation-talk, this notion has been subject to limited academic theorizing to date outside of matters divine. Revelations sets out to examine how the making available through revealing is accomplished as well as the implications of revealing. In other words, it is concerned with how revelations are realized and what is realized through them. Central to the argument will be treating attempts to make available as processes that can entail mix – that is, as processes that combine treating truth as publicly demonstrable but also as beyond simple verification, as alternately intelligible but also as unknowable. In taking the pervasive appeal to revealing as its topic, and through drawing inspiration from a range of disciplines, this book should appeal to a variety of audiences, including those interested in secrecy, conspiracy, expertise, celebrity, science and technology.
Digitize this Book!
In the sciences, the merits and ramifications of open accessa the electronic publishing model that gives readers free, irrevocable, worldwide, and perpetual access to researcha have been vigorously debated. Open access is now increasingly proposed as a valid means of both disseminating knowledge and career advancement. In Digitize This Book! Gary Hall presents a timely and ambitious polemic on the potential that open access publishing has to transform both a papercentrica humanities scholarship and the institution of the university itself.
The Transparency Paradox
Transparency has become an unquestionable good in modern society, spreading from its origins in governance to most arenas of the modern world. But is it always good? This book turns a critical eye towards transparency, deconstructing its theoretical preconceptions and seeking a more nuanced view of what it means to be transparent.
The Digital Banal
Contemporary culture is haunted by its media. Yet in their ubiquity, digital media have become increasingly banal, making it harder for us to register their novelty or the scope of the social changes they have wrought. What do we learn about our media environment when we look closely at the ways novelists and filmmakers narrate and depict banal use of everyday technologies? How do we encounter our own media use in scenes of waiting for e-mail, watching eBay bids, programming as work, and worrying about numbers of social media likes, friends, and followers? Zara Dinnen analyzes a range of prominent contemporary novels, films, and artworks to contend that we live in the condition of the “dig...
Bioethics in the Age of New Media
Joanna Zylinska examines the ethical challenges presented by technology to the allegedly sacrosant idea of the human & makes a proposal for a new ethics of life rooted in the philosophy of alterity.
