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“Eller is an excellent historian. She expertly lays out the development of the little known myth of matriarchal prehistory in a way that is both highly knowledgeable and readable. This is essential reading for anyone interested in the history of feminist thought and anthropology.” —Rosemary Radford Ruether, author of Goddesses and the Divine Feminine “Without a doubt, this is the best introduction into the mythological jungle of modern scholarship on matriarchy. Cynthia Eller’s book is not only perfectly researched, it is also intelligent and pleasantly written.” —Philippe Borgeaud, author of Mother of the Gods: From Cybele to the Virgin Mary
In this lucide and fascinating volume, Eller traces the emergence of feminist matriarchal myth, explicates its functions, and examines the evidence for and against a matriarchal prehistory. Finally, she explains why this vision of peaceful, women-centered prehistory is something feminists should be wary of.
"One of the most rapidly growing religious movements in the United States, feminist spirituality first came of age during the religious ferment of the 1960s. It has since emerged as one of the sturdiest survivors of that era of religious experimentation. The goddess, her worshipers, and the myth of her reign over humankind's prehistory are becoming familiar features in the American religious landscape, and are gradually spreading beyond there, out into the cultural mainstream." "In spite of its increasing cultural presence, feminist spirituality is poorly understood by those not participating in its development or privy to its secrets. Why do these women worship a goddess, and who is she? Wh...
Spellbound: Women and Witchcraft in America is a collection of twelve articles that explore crucial events in the history of witch-hunting and its demonization of women in American and American women's own use of witchcraft as a source of identity and strength, as well as the complicated relationship between the two. Beginning with the accused 'witches' of colonial America, Spellbound extends its focus through the nineteenth century to explore women's involvement with alternative spiritualities, and culminates with examinations of the contemporary feminist neopagan and Goddess movements.
Scholars have long been divided over whether the Amazons of Greek legend actually existed. Postcolonial Amazons offers a groundbreaking re-evaluation of the place of martial women in antiquity, bridging the gap between myth and reality by expanding our conception of the Amazon archetype to include the real female warriors of the ancient world.
Honorable Mention for the 2022 Elli Köngäs-Maranda Prize awarded by the Women's Section of the American Folklore Society Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (included essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe. Building on critiques of other skeptical scholars, this feminist, folkloristic approach deepens how our remythologizing of the...
Most new or alternative religious are gravely misunderstood by members of the religious mainstream. Labeled cults or sects, groups and their members are often ridiculed or otherwise disregarded as weird and potentially dangerous by the populace at large. Despite their efforts at educating the general public, the various anti- and counter-cult activists have in fact promoted much more mis-understanding than accurate understanding of the religious lives of some of their fellow citizens. Consequently, they have helped to create a very hostile environment for anyone whose religious practices do not fit within a so-called mainstream. This set rectifies the situation by presenting accurate, compre...
Although religious innovation in America has historically been the norm rather than the exception, mainstream Americans have often viewed new religious movements with suspicion and occasionally with outright alarm. The question motivating many studies of new religious movements has been “why would someone join these religions?” In Antiquity and Social Reform, Dawn Hutchinson offers at least one answer to this often repeated query. She argues that followers of new religious movements in the 1960s–1980s, specifically the Unification Church, Feminist Wicca and the Nation of Yahweh, considered these religions to be legitimate because they offered members a personal religious experience, a connection to an ancient tradition, and agency in improving their world. Utilizing an historical approach, Antiquity and Social Reform considers the conversion narratives of adherents and primary literature of the formative years of these movements, which demonstrates that the religious experiences of the adherents, and a resonance with the goals of these religions, propelled members into social action.
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
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