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A filmmaker, visionary, and entrepreneur, George Lucas has not only changed the way we experience film and filmmaking, but also revolutionized film industry practices and standards. George Lucas, on an economic, aesthetic, and cultural level, has contributed more than any other individual to the shaping of the New Hollywood and is one of the most important figures in film history. His contribution to the film industry and our culture can be defined as the "Lucas Effect." Until now Lucas' work has been studied categorically. That is, popular books have been written that focus specifically on his life, his marketing skills, his films, his fans, or his various business accomplishments and practices. This is the first book to weave these threads together into a cohesive, rigorous study that illustrates the far reaching impact and importance of his creative genius. This book is important not only for film academics, students of film criticism and theory, popular culture scholars, and film devotees, but also for industry power brokers, Lucas fans and anyone who is interested in the work, life, and legacy of one of film's most important visionaries, George Lucas.
This volume constitutes the first large-scale collaborative reflection on Xenophon’s Anabasis, gathering experts on Greek historiography and Xenophon. It is structured in three sections: the first section provides a linear reading of the Anabasis through chapters on select episodes (from Book 1 through Book 7), including the opening, Cyrus’ characterisation, the meeting of Socrates and Xenophon, Xenophon’s leadership, the marches through Armenia and along the Black Sea coast and the service under Seuthes in Thrace. The second section offers an in-depth exploration of hitherto overlooked recurrent themes. Based on new approaches and scholarly trends, it focuses on topics such as the con...
A Metropolitan Police detective about to be dismissed is given a second chance by his old boss, who is now a police commander. He's given a new unit to run and two misfit detectives to assist him. All three know their status is temporary. Their first case together is an impossible double murder. Each murder is identical. Both victims are expertly shot in the head from long range, but the post-mortems reveal no bullets were used in the shootings. The CSI teams calculate that in both cases there was no place for the marksman to have fired from, unless suspended over busy roads. Although it's a case apparently impossible to solve, DCI Steve Burt reluctantly agrees to investigate with his new team. Their enquiries lead them into the murky world of greed, corruption, fraud and money laundering, but they are no nearer solving the murders. The team is stumped until the DCI meets a retired army major and a WW2 veteran who unwittingly hold the keys to solving these impossible murders.
Some acting careers are made by one great role and some fall into obscurity when one is declined. Would Al Pacino be the star he is today if Robert Redford had accepted the role of Michael Corleone in The Godfather? Imagine Tom Hanks rejecting Uma Thurman, saying that she acted like someone in a high school play when she auditioned to play opposite him in The Bonfire of the Vanities. Picture Danny Thomas as The Godfather, or Marilyn Monroe as Cleopatra. This reference work lists hundreds of such stories: actors who didn't get cast or who turned down certain parts. Each entry, organized alphabetically by film title, gives the character and actor cast, a list of other actors considered for that role, and the details of the casting decision. Information is drawn from extensive research and interviews. From About Last Night (which John Belushi turned down at his brother's urging) to Zulu (in which Michael Caine was not cast because he didn't look "Cockney" enough), this book lets you imagine how different your favorite films could have been.
Lucas reshaped the Hollywood industry with his commercially successful films.
This title combines prose with scholarship to provide the complete inside story of how 'Singin' in the Rain' was made, marketed, and received.
This book explores the history of Disney's biggest live-action movie failures from the late 1970s to the late 2010s. That stretch of time was a transformative period in which the company made many financial gains but gradually lost its identity, which had largely been synonymous with founder Walt Disney. The chapters explain why each movie was made, the casting process, production details, and why each movie failed financially. Covered here are cult classics like Tron and Hocus Pocus alongside more well-known bombs like John Carter and The Lone Ranger.