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We Told You So
In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.
The Comics Journal
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Cartoonists, Works, and Characters in the United States through 2005
This penultimate work in John Lent's series of bibliographies on comic art gathers together an astounding array of citations on American cartoonists and their work. Author John Lent has used all manner of methods to gather the citations, searching library and online databases, contacting scholars and other professionals, attending conferences and festivals, and scanning hundreds of periodicals. He has gone to great length to categorize the citations in an easy-to-use, scholarly fashion, and in the process, has helped to establish the field of comic art as an important part of social science and humanities research. The ten volumes in this series, covering all regions of the world, constitute...
Phemie's Temptation
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Post-Millennial Gothic
Surveying the widespread appropriations of the Gothic in contemporary literature and culture, Post-Millennial Gothic shows contemporary Gothic is often romantic, funny and celebratory. Reading a wide range of popular texts, from Stephenie Meyer's Twilight series through Tim Burton's Gothic film adaptations of Sweeney Todd, Alice in Wonderland and Dark Shadows, to the appearance of Gothic in fashion, advertising and television, Catherine Spooner argues that conventional academic and media accounts of Gothic culture have overlooked this celebratory strain of 'Happy Gothic'. Identifying a shift in subcultural sensibilities following media coverage of the Columbine shootings, Spooner suggests that changing perceptions of Goth subculture have shaped the development of 21st-century Gothic. Reading these contemporary trends back into their sources, Spooner also explores how they serve to highlight previously neglected strands of comedy and romance in earlier Gothic literature.
Suture
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Lady Killers
In this entertaining compendium, the true crime historian and Jezebel columnist investigates female serial killers through the ages. When it comes to violent crime, women are typically thought of as the victims, not the perpetrators. The bias is so pervasive that in 1998, FBI profiler Roy Hazelwood declared, “There are no female serial killers.” But what about Tillie Klimek, Moulay Hassan, Kate Bender, and the other notorious women profiled here? In Lady Killers, Tori Telfer reveals the shocking true stories of fourteen women who—despite being largely forgotten by history—rival their male counterparts in cunning, cruelty, and appetite for destruction. Each chapter explores the crimes...
Dame Darcy's Meat Cake Compilation
I think she's exquisite... I wish I knew her in high school' - Thurston Moore, Sonic Youth 'Darcy's comics are aesthetic manifestos... Darcy is a star. Mark my words: Meatcake will prevail' - New York Times A neo-Victorian horro/humour/romance comic series, Meatcake alternates between curelly tragic fairy tales and ongoing romps starring her eclectic cast of characters, including Effluvia the Mermaid, the roguish roue Wax Wolf and Igpay the Pig-Latin pig, all delineated in her inimitable luxurious scrawl, like a peak into a deranged dollhouse.'
