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Screendance from Film to Festival
Dance and film have shared a dynamic relationship since the advent of cinema--a natural interplay that developed into the genre known as screendance. Charting the history of screendance festivals, this book examines important shifts in practice and theory, distinct festival eras and communities, and the process of selecting and programming works.
Envisioning Dance on Film and Video
Virtually everyone working in dance today uses electronic media technology. Envisioning Dance on Film and Video chronicles this 100-year history and gives readers new insight on how dance creatively exploits the art and craft of film and video. In fifty-three essays, choreographers, filmmakers, critics and collaborating artists explore all aspects of the process of rendering a three-dimensional art form in two-dimensional electronic media. Many of these essays are illustrated by ninety-three photographs and a two-hour DVD (40 video excerpts). A project of UCLA – Center for Intercultural Performance, made possible through The Pew Charitable Trusts (www.wac.ucla.edu/cip).
Dance Films Association Collection
Collection contains publicity file.
Dance on Camera
Dance on Camera, the most comprehensive resource available on dance films and videos in current distribution in the United States, is an essential tool for any dance and/or film reference collection. Following a foreword by Jacques d'Amboise, former principal dancer and choreographer for the New York City Ballet, are five essays by recognized authorities in the field, and ten exhaustive indexes. The main section, arranged alphabetically by film title, lists and annotates approximately 1400 films and videos, covering the full range of dance from around the world. Each entry includes the date of production, running time, format and distributor; credits are given for producer, director, choreog...
Dance and Mime
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