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What is Hip Hop? Hip hop speaks in a voice that is sometimes gruff, sometimes enraged, sometimes despairing, sometimes hopeful. Hip hop is the voice of forgotten streets laying claim to the high life of rims and timbs and threads and bling. Hip hop speaks in the muddled language of would-be prophets--mocking the architects of the status quo and stumbling in the dark toward a blurred vision of a world made right. What is hip hop? It's a cultural movement with a traceable theological center. Daniel White Hodge follows the tracks of hip-hop theology and offers a path from its center to the cross, where Jesus speaks truth.
Post-Christian Religion in Popular Culture: Theology through Exegesis analyzes several theological exegeses of contemporary popular culture as post-Christian scripture. It includes analyses of the Marvel Cinematic Universe, The Lion King, and Cloud Atlas, the television shows Lucifer and Shameless, and contemporary pop punk and alternative music. Through an application of three hermeneutical methods (re-enchantment, resourcement, and rescription), a prophetic and apocalyptic critique of modernity, and an analysis of the late-modern human condition, Andrew D. Thrasher argues how popular culture recites post-Christian religious and theological messages marked by a post-disenchantment theology constituted by the consumption of these messages shapes and informs what the contemporary world finds believable, credible, and desirable in a post-Christian context.
When the basic conceptions of the world held by whole generations in the West are formed by popular culture, and in particular by the music that serves as its soundtrack, can theology remain unchanged? The authors of the essays in this important volume insist that the answer is no. These gifted theologians help readers make sense of what happens to religious experience in a world heavily influenced by popular media culture, a world in which songs, musicians, and celebrities influence our individual and collective imaginations about how we might live. Readers will consider the theological relationship between music and the creative process, investigate ways that music helps create communities...
Kids desperately need healthy, committed adults who can help them thrive in their faith and become active participants in the life of the church. This requires the efforts of the whole faith community. Chap Clark, one of the leading voices in youth ministry today, brings together twenty-four experts from a variety of denominations and traditions to offer a comprehensive introduction to adoptive youth ministry, a theologically driven, academically grounded, and practical youth ministry model. The book shows readers how to integrate emerging generations into the family of faith, helping young adults become active participants in God's redemptive community.
Christians and Christianity have been central to Hip Hop since its inception. This book explores the intersection of Christians and Hip Hop and the multiple outcomes of this intersection. It lays out the ways in which Christians and Hip Hop overlap and diverge. The intersection of Christians and Hip Hop brings together African diasporic cultures, lives, memories and worldviews. Moving beyond the focus on rappers and so-called "Christian Hip Hop," each chapter explores three major themes of the book: identifying Hip Hop, irreconcilable Christianity, and boundaries.There is a self-identified Christian Hip Hop (CHH) community that has received some scholarly attention. At the same time, scholar...
In this book, Hodge takes into account the Christological, theological, and ecclesiological ruminations of a selected group of Hip Hop and rap song lyrics, interviews, and interviews from those defined as Hip Hoppers. The aim of this examination is to ascertain what a Hip Hop theology of community might entail, how it may look, and what it could feel like. The central premise are questions: does a Hip Hop 'theology' even fit? Is there an actual motif which Hip Hoppers are espousing within the supernatural realm? This study concerns itself with just over 8,500 songs. Its timespan is between 1987-2011, and it contains interviews from those in the Hip Hop community.
Tupac Amaru Shakur was considered a Hip Hop prophet. His spiritual journey has not had much attention given to it until now. This book looks at Tupac’s gospel message from a Hip Hop context. Tupac presents a theological message needed now even twenty-plus years after his death.
In one of his best-known songs, Bruce Cockburn sings about “lovers in a dangerous time.” Well, there’s no doubt that our world is under siege and that we are living in a dangerous time. With massive crises threatening life all over our planet – economic crises, social crises, ecological crises, the list goes on and on – our faith can’t afford to ignore the reality of our diverse and fragile world. Our faith needs to move or inspire us to get our hands not just dirty, but downright bruised and bloody as we work against the tremendous forces of hatred, death, and suffering in our world. That’s what this third volume in the “Faith Forward” series is about. It’s about forming...
Even though the North American context is changing, most missiological approaches continue under colonialist assumptions. Focusing on the framework of Hip Hop theology, Daniel White Hodge shows us how to radically engage with emerging adult populations, critiquing the impaired missiology of imperialist and white supremacist approaches to modern, urban short-term missions.