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War Imagery in Women's Textiles
Through the centuries, women have used textiles to express their ideas and political opinions, creating items of utility that also function as works of art. Beginning with medieval European embroideries and tapestries such as the Bayeux Tapestry, this book examines the ways in which women around the world have recorded the impact of war on their lives using traditional fabric art forms of knitting, sewing, quilting, embroidery, weaving, basketry and rug making. Works from the United States, Canada, Latin America, Asia, the Middle and Near East, and Oceania are analyzed in terms of content and utility, and cultural and economic implications for the women who created them are discussed. Traditional women's work served to document the upheaval in their lives and supplemented their family income. By creating textiles that responded to the chaos of war, women developed new textile traditions, modified old traditions and created a vehicle to express their feelings.
Making Kantha, Making Home
In Bengal, mothers swaddle their infants and cover their beds in colorful textiles that are passed down through generations. They create these kantha from layers of soft, recycled fabric strengthened with running stitches and use them as shawls, covers, and seating mats. Making Kantha, Making Home explores the social worlds shaped by the Bengali kantha that survive from the nineteenth and early twentieth centuries. In the first study of colonial-period women’s embroidery that situates these objects historically and socially, Pika Ghosh brings technique and aesthetic choices into discussion with iconography and regional culture. Ghosh uses ethnographic and archival research, inscriptions, and images to locate embroiderers’ work within domestic networks and to show how imagery from poetry, drama, prints, and watercolors expresses kantha artists’ visual literacy. Affinities with older textile practices include the region’s lucrative maritime trade in embroideries with Europe, Africa, and China. This appraisal of individual objects alongside the people and stories behind the objects’ creation elevates kantha beyond consideration as mere handcraft to recognition as art.
The Hegemony of Heritage
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. The Hegemony of Heritage makes an original and significant contribution to our understanding of how the relationship of architectural objects and societies to the built environment changes over time. Studying two surviving medieval monuments in southern Rajasthan—the Ambika Temple in Jagat and the Ékalingji Temple Complex in Kailaspuri—the author looks beyond their divergent sectarian affiliations and patronage structures to underscore many aspects of common practice. This book offers new and extremely valuable insights into these important monuments, illuminating the entangled politics of antiquity and revealing whether a monument’s ritual record is affirmed as continuous and hence hoary or dismissed as discontinuous or reinvented through various strategies. The Hegemony of Heritage enriches theoretical constructs with ethnographic description and asks us to reexamine notions such as archive and text through the filter of sculpture and mantra.
Phulkari
Published on the occasion of an exhibition held at the Philadelphia Museum of Art, March 12-July 9, 2017.
Words on the Wind
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The Museum Year
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Indian Art
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Annual Report
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The Guide to the Architecture of the Indian Subcontinent
This guidebook introduces the architecture of the Indian subcontinent including Bangladesh in great detal, revealing a great architectural culture that is richly different from that in Japan, Europe, and America. It gives the armchair traveler a visual feast with a large number of photographs, which will transport the reader to the site without having to actually travel to these magnificent but far-flung monuments. Indian architecture through the ages is included, from ancient times to the present day, along with Islamic architecture and Colonial style architecture during the British rule. Important buildings are illustrated with many photographs of the exteriors and interiors.
African Elites in India
"Sub-Saharan Africans have a longstanding and distinguished presence in India, where they are most commonly known as Habshis or Sidis. Habshi is the Arabic for an Abyssinian or Ethiopian, and Sidi is apparently derived from the Arabic sayyidi, "my lord". In the last decade there has been a veritable explosion of scholarship on Habshis and Sidis in India. This book is a contribution to this growing field, but with a difference. Rather than the groups hitherto studied, its focus is on the elite of Sub-Saharan African-Indian merchants, soldiers, nobles, statesmen, and rulers who attained prominence in various parts of India between the fifteenth and twentieth centuries, and on Africans who served at the courts of Indian monarchs as servants, slaves, eunuchs, or concubines. This book is a series of snapshots, in the form of essays by specialists in history, numismatics, architecture, the art history of South Asia, of colour and black-and-white illustrations." -- Jacket description.
