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Dramatic Dance
Dance is part of the art of theatre, a part which connects to movement, to communication, to improvisation, and to performance. It cannot exist on its own in the context of dramatic performance, but works in conjunction with other elements to enable meanings to be created in performance. Dramatic Dance sets a programme for actors to perform dance as part of the drama, offering several approaches which can contribute to developing this understanding, to training this skill, and always ensuring that the whole active and thinking body and mind are fully engaged with the task of making dance an integral and vital part of theatre. To study dance in this way allows students to develop further their understanding of logic and structure in a dramatic text. Many books deal with one aspect of dance or another: some on dance training, some on dance history, some on Rudolf Laban's ideas, some as dance manuals, and some as academic papers. Dramatic Dance is the first book to act as a comprehensive guide for theatre practice, bringing together these different, complementary disciplines.
The ^AOxford Handbook of Shakespeare and Dance
Featuring new chapters from thirty leading scholars, The Oxford Handbook of Shakespeare and Dance examines the relationship between William Shakespeare - his life, works, afterlife - and dance.
Epistolary Courtiership and Dramatic Letters
Through an analysis of the career of the eminent courtier Sir Thomas Overbury, Epistolary Courtiership and Dramatic Letters re-examines what is meant by courtiership in the Jacobean period. With a particular focus on the years between 1609 and 1613, the book brings together many of the letters surrounding the scandal leading to Overbury's murder and provides an examination of epistolarity in the context of humanist and legal learning. Defining key themes of social mobility, homosociality and the legal power of James VI and I, it exposes the mechanisms by which men rose at his court and provides a context for a new reading of contemporary dramatic texts by Shakespeare, Webster and Chapman. The book argues that the changing performance of courtiership at James's court, the wider knowledge of that reflected in contemporary letters and consequently shifting attitudes, all alter the performance of courtiership in the playhouse.
Josephine Baker
Josephine Baker, a multifaceted French entertainer, emerged not only as a captivating performer but also as a courageous figure in the French Resistance and a fervent advocate for civil rights. Born in the United States, Baker found her artistic haven in Europe, particularly in France, where she carved her niche as the first Black woman to grace the screen in a major motion picture. Collaborating on the silent film "Siren of the Tropics" in 1927 marked a groundbreaking moment in cinematic history. Her early career witnessed Baker's dazzling performances at the renowned Folies Bergère revues in Paris. The 1927 revue, "Un vent de folie," stirred the city's cultural landscape, thanks to Baker'...
Actors and Actresses
This bundle of books consists of several biographies, which are about the following actresses: - Betty Davis - Grace Kelly - Hedy Lamarr - Joan Crawford - Josephine Baker After this, some main points of Hollywood’s history will be explained, to give you deeper insights into what happened there and how this Californian movie industry became so big.
Thérèse Raquin
‘A story of paralysing passion’ 1860s Paris. In a small dusty haberdasher’s shop near the Seine in the dank, narrow Passage du Pont Neuf, the young and beautiful Thérèse Raquin is trapped into a loveless marriage to her sickly cousin, Camille. While her husband is out all day working, Thérèse spends her days confined behind the counter of a small shop and – every Thursday evening – watching her domineering aunt, Madame Raquin, play dominoes with an eclectic group of ne'er-do-wells. Until the Thursday evening that her husband Camille brings an old friend to the party – the alluring Laurent – and she embarks on an illicit affair that leads Thérèse to abandon all her inhibitions and loyalties as their brutal and overwhelming passion overturns both their lives and has results that nobody could have foreseen... In keeping with the innovative and challenging nature of the original work, this radical new musical adaptation features a company of twelve actor musicians playing the main roles of Thérèse, Laurent, Camille and Madame Raquin, as well as their Thursday night domino playing companions and a watchful and distrustful Chorus.
Commedia dell’Arte for the 21st Century
This book discusses the evolution of Commedia dell’Arte in the Asia-Pacific where through the process of reinvention and recreation it has emerged as a variety of hybrids and praxes, all in some ways faithful to the recreated European genre. The contributors in this collection chart their own training in the field and document their strategies for engaging with this form of theatre. In doing so, this book examines the current thoughts, ideas, and perceptions of Commedia – a long-standing theatre genre, originating in a European-based collision between neo-classical drama and oral tradition. The contributing artists, directors, teachers, scholars and theatre-makers give insight into worki...
British and International Music Yearbook
The directory of the classical music industry.
Early Music Review
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