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Sideshow Monkey - the Art of David Hartman
Freaks Monsters Girls The art of illustrator David Hartman. Now back in print. David Hartman is a director and producer of cartoons for film and television, however, his real passion is monsters. Dark, twisted and humorous works of the macabre. 96 pages in full color with a forward written by Rob Zombie. Dave Hartman's artwork is like a school of Japanese piranha blasted from a photon canon into a blood red sky...he is kick ass. Jack black (Tenacious D, King Kong)
Suffering Time: Philosophical, Kabbalistic, and Ḥasidic Reflections on Temporality
No one theory of time is pursued in these essays, but a major theme that threads them together is Wolfson’s signature idea of the timeswerve as a linear circularity or a circular linearity, expressions that are meant to avoid the conventional split between the two temporal modalities of the line and the circle. The conception of time elicited by Wolfson from a host of philosophical and mystical sources—both Jewish and non-Jewish—buttresses the contention that it is precisely structural invariability that engenders interpretive variation. This hermeneutical axiom is justified, in turn, by the presumption regarding the cadence of time as the constant return of what has always been what is yet to be. The telling of time wells forth from the time of telling. One cannot speak of the being of time, consequently, except from the standpoint of the time of being, nor of the time of being except from the standpoint of the being of time.
Arab Liberal Thought after 1967
This volume aims at confronting the image of the Middle East as a region that is fraught with totalitarian ideologies, authoritarianism and conflict. It gives voice and space to other, more liberal and adaptive narratives and discourses that endorse the right to dissent, question the status quo, and offer alternative visions for society.
Tradition vs. Traditionalism
This book is a first attempt to examine the thought of key contemporary Jewish thinkers on the meaning of tradition in the context of two models. The classic model assumes that tradition reflects lack of dynamism and reflectiveness, and the present’s unqualified submission to the past. This view, however, is an image that the modernist ethos has ascribed to the tradition so as to remove it from modern existence. In the alternative model, a living tradition emerges as open and dynamic, developing through an ongoing dialogue between present and past. The Jewish philosophers discussed in this work—Joseph B. Soloveitchik, Yeshayahu Leibowitz, David Hartman, and Eliezer Goldman—ascribe compelling canonic status to the tradition, and the analysis of their thought discloses the tension between these two models. The book carefully traces the course they have plotted along the various interpretations of tradition through their approach to Scripture and to Halakhah.
How to Draw Chiller Monsters, Werewolves, Vampires, and Zombies
From movies to comics to graphic novels, monsters and their ilk tap into the terror that lurks in the darkest regions of the human collective unconscious. Enduringly popular characters, from vampires to zombies, provide an exciting challenge and appeal to comics and animation artists. How to Draw Chiller Monsters, Werewolves, Vampires and Zombies features the artwork of comic-book artist and Hollywood monster designer Kerry Gammill, Gene Colan as well as Neal Adams, Jim Steranko, Jack Davis, David Hartman, Frank Frazetta, Basil Gogos, and Wally Wood.
History of the Church of the Brethren of the Eastern District of Pennsylvania
Committee: S.R. Zug, John Herr, G.N. Falkenstein, J.G. Francis and D.C. Reber.
The Lancaster Bar
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