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National Directory of Women-owned Business Firms
  • Language: en
  • Pages: 1026

National Directory of Women-owned Business Firms

  • Type: Book
  • -
  • Published: 1999
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  • Publisher: Unknown

None

National Membership Roster
  • Language: en
  • Pages: 806

National Membership Roster

  • Type: Book
  • -
  • Published: 1987
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  • Publisher: Unknown

None

NASW Register of Clinical Social Workers
  • Language: en
  • Pages: 984

NASW Register of Clinical Social Workers

  • Type: Book
  • -
  • Published: 1997
  • -
  • Publisher: Unknown

None

ACSA Annual Directory
  • Language: en
  • Pages: 248

ACSA Annual Directory

  • Type: Book
  • -
  • Published: 1991
  • -
  • Publisher: Unknown

None

Gender and Elections
  • Language: en
  • Pages: 317

Gender and Elections

The third edition of Gender and Elections describes the role of women as voters and candidates in the 2012 elections.

Monographic Series
  • Language: en
  • Pages: 884

Monographic Series

  • Type: Book
  • -
  • Published: Unknown
  • -
  • Publisher: Unknown

None

Index of Patents Issued from the United States Patent and Trademark Office
  • Language: en
  • Pages: 1968

Index of Patents Issued from the United States Patent and Trademark Office

  • Type: Book
  • -
  • Published: 1992
  • -
  • Publisher: Unknown

None

Transcript of the Enrollment Books
  • Language: en
  • Pages: 782

Transcript of the Enrollment Books

  • Type: Book
  • -
  • Published: 1973
  • -
  • Publisher: Unknown

None

California Lawyers
  • Language: en
  • Pages: 1136

California Lawyers

  • Type: Book
  • -
  • Published: 1991
  • -
  • Publisher: Unknown

None

Reading Sounds
  • Language: en
  • Pages: 357

Reading Sounds

Imagine a common movie scene: a hero confronts a villain. Captioning such a moment would at first glance seem as basic as transcribing the dialogue. But consider the choices involved: How do you convey the sarcasm in a comeback? Do you include a henchman's muttering in the background? Does the villain emit a scream, a grunt, or a howl as he goes down? And how do you note a gunshot without spoiling the scene? These are the choices closed captioners face every day. Captioners must decide whether and how to describe background noises, accents, laughter, musical cues, and even silences. When captioners describe a sound—or choose to ignore it—they are applying their own subjective interpretat...