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Urban Design: Ornament and Decoration
'Urban Design: Ornament and Decoration' focuses on decorating the city and how ornament has been used to bring delight to the urban scene. The authors show how the pattern and distribution of street and square and other major elements in the city can be enhanced by the judicious use of decorative surface treatment and by the careful placing of hard and soft landscape features. This second edition, updated by Cliff Moughtin and now available in paperback, includes a new chapter on mud architecture. Case studies of city decoration are also outlined to bring together the ideas discussed and to show how ornament and decoration can be used to emphasize the five components of city form: the path, the node, the edge, the landmark and the district.
Living in Style
What is the difference between the 'Gothic' and 'Gothic Revival' styles? How can you tell an lonic column from a Doric column! To understand the many ways in which the British have decorated and furnished their homes, you must learn the language, which can be baffling to the lay person. Oliver Garnett guides the reader through the complex world of historical styles and ornament, drawing on examples from the unrivalled group of houses now in the care of the National Trust. First, he examines some of the broader stylistic issues: what do we mean by style? How is it created, disseminated, exploited, revived and reinterpreted? He then looks at some of the key 'building blocks' of style-the types of ornament that you will encounter most frequently in a historic building. Finally, he provides thumbnail sketches of the stylistic labels that have traditionally been applied to British interiors, from "Tudor" to "Modern Movement." Many of these labels conceal as much as they reveal, but the way that they have been creatively misunderstood by later designers is all part of the story of style.
The Grammar of Ornament
The complete and unabridged full-color edition First published in 1856, The Grammar of Ornament remains a design classic. Its inspiration came from pioneering British architect and designer Owen Jones (1809–1874), who produced a comprehensive design treatise for the machine age, lavishly illustrated in vivid chromolithographic color. Jones made detailed observations of decorative arts on his travels in Europe, the Middle East, and in his native London, where he studied objects on display at the Great Exhibition of the Works of Industry of All Nations in 1851 and at local museums. His aim was to improve the quality of Western design by changing the habits of Victorian designers, who indiscriminately mixed elements from a wide variety of sources. Jones's resulting study is a comprehensive analysis of styles of ornamental design, presenting key examples ranging from Maori tattoos, Egyptian columns, and Greek borders to Byzantine mosaic, Indian embroidery, and Elizabethan carvings. At once splendidly Victorian and insistently modern, The Grammar of Ornament celebrates objects of beauty from across time periods and continents, and remains an indispensable sourcebook today.
Pattern and Decoration: Ornament As Promise
The publication undertakes a comprehensive reappraisal of a hitherto nearly overlooked US-American art movement: Pattern and Decoration (1975-1985). By reclaiming color, variation of forms as well as sensuality, artists such as Valerie Jaudon, Robert Kushner and Miriam Schapiro radically distinguished themselves from the predominant Minimal Art and Concept Art at that time. Pattern and Decoration questioned not only traditional notions of art, but also addressed broader political and social issues like the position of women or ethnic minorities in the global art scene.00Exhibition: Ludwig Forum für Internationale Kunst, Aachen, Germany (21.09.2018-13.01.2019) / mumok, Museum moderner Kunst Stiftung, Vienna, Austria (22.02.-01.09.2019).
The Grammar of Ornament
Hardcover reprint of the original 1868 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9". No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Jones, Owen. The Grammar Of Ornament. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Jones, Owen. The Grammar Of Ornament, . London: Bernard Quaritch, 1868. Subject: Decoration And Ornament
The Principles of Ornament
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
The Function of Ornament
Architecture needs mechanisms that allow it to become connected to culture. It achieves this by continually capturing the forces that shape society as material to work with. Architecture's materiality is therefore a composite one, made up of visible forces (structural, functional, physical) as well as invisible forces (cultural, political, temporal). Architecture progresses through new concepts that connect with these forces, manifesting itself in new aesthetic compositions and affects. Ornament is the by-product of this process, through which architectural material is organized to transmit unique affects. This book is a graphic guide to ornaments in the twentieth century. It unveils the function of ornament as the agent for specific affects, dismantling the idea that ornament is applied to buildings as a discrete or non-essential entity. Each case operates through greater or lesser depth to exploit specific synergies between the exterior and the interior, constructing an internal order between ornament and material. These internal orders produce expressions that are contemporary, yet whose affects are resilient in time.
