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Needles
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The Implosion of Negativity
Dissertation im Fachbereich Nordamerikanische Literatur und Kultur der Universität des Saarlandes. The Implosion of Negativity ist die erste Monografie zu Paul Austers Frühwerk. Bis 1980 betätigte sich Auster zehn Jahre lang fast ausschließlich als Lyriker, um danach nie wieder ein Gedicht zu veröffentlichen. The Implosion of Negativity versucht zu ergründen, wie es zu diesem Bruch kam, und analysiert detailliert Austers poetisches Vorleben. Dabei werden bislang unbeachtete Einflüsse wie Martin Buber und Paul Celan zutage gefördert. Die abschließende Untersuchung von The New York Trilogy zeigt exemplarisch, welche neuen interpretatorischen Ansätze die Kenntnis von Austers vergessen...
Ethics of Literary Forms in Contemporary American Literature
This work links ethics and the formal arrangement of literary texts. It shows that specific formal techniques and devices and the overall form of literary texts always have an ethical dimension and beg certain ethical questions. Covering the three main genres of narrative, drama and poetry, the discussion addresses aspects of syntax, line breaks, mise-en-scene and narrative situation as well as the table of contents, list of characters and chapter structure in six texts by contemporary American authors (Paul Auster, Don DeLillo, Tony Kushner, Suzan-Lori Parks, John Ashbery and Jorie Graham).
Walking Shadows
Walking Shadows focuses on the American fantastic and the American grotesque, attempting in this manner for the first time to establish an overview of and a theoretical approach to two literary modes that have often been regarded as essential to an understanding of the American cultural canon. The central importance of these two literary forms has been pointed out earlier by important theorists such as Stanley Cavell, David Reynolds, and William Van O’Connor. A number of literary works, from the beginning of the nineteenth to the end of the twentieth centuries, are taken up in order to illustrate the inherent links or family resemblances between the two modes, with special reference to the...
Field Report
Fiction. FIELD REPORT begins in affirmation and ends in doubt. Between start and finish there are archaic dictions and near-invented languages, simplistic jokes that a seven-year-old might tell and visions of what might be astonishments. One sentence states: What wondrous things words--what, the optimal word here, turns the statement toward a question, one left long unanswered. The twenty stories in this book comprise a field report filed by an anthropologist, providing a concise and complete outline of culture as seen through the tri-lens of sensation, perception and vision. Along the way some pancakes, frogs and gelato get mixed into our favorite pot--or is it plot? One particularly effusive informant offers a wealth of information--passionate in its despair, and the reader might find it--in response--not too late to consider the world presented in FIELD REPORT with a touch of mercy.
On the Bus
Fiction. I love this book! Dennis Barone is a genius. The verbal, rhetorical, gestural, imaginative resources he orchestrates--or is it choreo-graphs?--or is it paints?--in ON THE BUS: SELECTED STORIES, exhilarate at every turn, and the turns (riffs, digressions, conflations, elaborations, subtractions, puns, and so on), tumble forth pell-mell, helter-skelter, topsy-turvy. 'Much Madness is divinest Sense--' became my constant comment reading these linguistically rich, emotionally wide-ranging and truly varying stories. Dickinson qualifies her madness definition with 'To a discerning Eye--'. Don't fret if you've not got one--in the convention of all breakthrough texts, Barone's prose instructs on the fly. 'Her whims, we said in those days, are our whereabouts'--and this, 'He doesn't so much wear the turtlenecks as stuffs them with the being that he calls himself': just two of Barone's ten thousand sentences of pure aesthetic pleasure. The Madness here is not to be missed--it's a celebration of language quo language married to the texture of existence.--Gray Jacobik
American Novelists Since World War II.
Contains biographical sketches of writers who either began writing novels after 1945 or have done their most important work since then.
Laughing Blood
Poetry. Art. LAUGHING BLOOD contains drawings and poems fusing thesatirical and visionary. Colosi's work is like the shard of a mirror heldup to the age: recent events such as the terrorist attacks on the WorldTrade Center and the killing of Amadou Diallo by New York City cops receivetheir due, poetic justice cast in the form of rabid non sequiturs and toxiccartoons.
Partisan Review
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