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New scholarship provides insights into the archaeology and cultural history of African American life from a collection of sites in the Mid-Atlantic
At the turn of the twentieth century, Amélie Rives was one of the most famous women in America. A member of Virginia’s First Families—and granddaughter of a U.S. senator, she belonged to the southern aristocracy. Considered one of the great beauties of her time, Rives leveraged both her connections and her own considerable talent to become a best-selling author and then married into the wealthy Astor family. As Jane Turner Censer makes clear in this long overdue biography, Rives’s personal story—filled with enormous triumphs and calamities—was, if anything, as fascinating as her art. Rives’s most famous novel, The Quick or the Dead?, published when she was just twenty-four, was ...
« Because of the ceremonial and ritual aspects of the practice in Native American societies, smoking pipes are important cultural artifacts. The essays in Smoking and Culture constitute the first sustained inerpretive study of smoking pipes, focusing on the cultural significance of smoking both before and after European contact. »--Résumé de l'éditeur.
In studying the past, archaeologists have focused on the material remains of our ancestors. Prehistorians generally have only artifacts to study and rely on the diverse material record for their understanding of past societies and their behavior. Those involved in studying historically documented cultures not only have extensive material remains but also contemporary texts, images, and a range of investigative technologies to enable them to build a broader and more reflexive picture of how past societies, communities, and individuals operated and behaved. Increasingly, historical archaeology refers not to a particular period, place, or a method, but rather an approach that interrogates the t...
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"Collection of papers honoring the professional career and research of Charles L. Fisher, the first Curator of Historical Archaeology at the New York State Museum"--page xiii.