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Ekphrasis, the description of pictorial art in words, is the subject of this bibliography. More specifically, some 2500 poems on paintings are catalogued, by type of publication in which they appear and by poet. Also included are 2000 entries on the secondary literature of ekphrasis, including works on sculpture, music, photography, film, and mixed media.
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Cultural Identity and Postmodern Writing seeks to ascertain the relationship obtaining between the specific form postmodernism assumes in a given culture, and the national narrative in which that culture traditionally recognizes itself. Theo D’haen provides a general introduction to the issue of “cultural identity and postmodern writing.” Jos Joosten and Thomas Vaessens take a look at Dutch literature, and particular Dutch poetry, in relation to “postmodernism.” Robert Haak and Andrea Kunne do the same with regard to, respectively, German and Austrian literature, while Roel Daamen turns to Scottish literature. Patricia Krus discusses postmodernism in relation to Caribbean literature, and Kristian van Haesendonck and Nanne Timmer turn their attention to Puerto Rican and Cuban literature, while Adriana Churampi deals with Peruvian literature. Finally, Markha Valenta investigates the roots of the postmodernism debate in the United States. This volume is of interest to all students and scholars of modern and contemporary literature, and to anyone interested in issues of identity as linked to matters of culture.
What are the forms in which the avant-garde returns after the Second World War? How does the literary avant-garde re-invent itself without losing its affinity with historical avant-garde currents such as surrealism and futurism?This book explores the international relevance of the concept of neo-avant-garde for the study of post-war literary innovations covering North American, Latin American, Caribbean, Austrian, French, British, Belgian, Dutch and German cases. Each of the twenty-one newly commissioned chapters combines theoretical reflection with practical analysis. Together, they provide a multi-faceted account of diverse group and trends, such as the New Realists, Black Arts Movement, Labris and the Vienna Group. They also focus on a wide range of authors, like Pierre Alferi, Amiri Baraka, Konrad Bayer, Mario Bellatin, Kamau Brathwaite, and Anna Kavan. In addition, they pay attention to specific techniques, including erasure, lyricisation, and montage, and to specific genres such as comic books, experimental fiction, and visual poetry.
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Dirk van Bastelaere (born 1960) is regarded as one of the leading poets in Flanders. He came early to prominence with his first collection 'Vijf jaar' (Five Years, 1984), which was awarded the prize for the best first collection. In 1988 he published 'Pornschlegel en andere gedichten' (Pornschlegel and other poems), one of the most hotly debated collections of Flemish poetry in in recent times, and a volume that was to win for him recognition as the most important postmodern poet in Flanders. His work has been strongly influenced by American poets such as Gertrude Stein and John Ashbery and makes many references to contemporary art and culture, a fact which has led some critics to attack his...
The Low Countries is a yearbook aimed at presenting to the world the culture and society of the Dutch speaking area which embraces both the Netherlands and also Flanders, the northern part of Belgium. The articles in this yearbook survey the living, contemporary culture of the Low Countries as well as their cultural heritage. It provides information about literature and the arts, but also about broad social and historical development in Flanders and the Netherlands.
This volume contains a selection of articles originally presented at the Tenth Interdisciplinary Conference on Netherlandic Studies. These revised contributions, relating to the common theme of Janus and the perspective of time, examine Dutch language and culture from the U.S., Belgium, and the Netherlands.