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American Migrant Fictions
In American Migrant Fictions: Space, Narrative, Identity, Sonia Weiner focuses on novels of five American migrant writers of the late twentieth and early twenty-first centuries, who construct spatial paradigms within their narratives to explore questions of linguistic diversity, identities and be-longings. By weaving visual techniques within their narratives (photography, comics, cartography) authors Aleksandar Hemon, G.B. Tran, Junot Díaz, Boris Fishman and Vikram Chandra convey a surplus of perspectives and gesture towards alternative spaces, spatial in-between-ness and transnational space.
Critical Essays on Hip Hop and the Study of Hip Hop
This book explores some of the various ways in which hip hop has tragically and perilously been misused by scholars and how the study of hip hop often entrenches antiblackness as well as other social problematics. In the end, the book is a collection that provides a much-needed perspective on hip hop culture as well as some new ways to think about the study of hip hop. It is an event of sorts: an interdisciplinary collection of debates and interventions by scholars and intellectuals in Black Studies, Cultural Studies, Theatre Art, Gender Studies, and English. The perspectives are theoretical and practical, philosophical and historical, engaging a variety of theories and practices.
Harmonizing Latina Visions and Voices
Harmonizing Latina Visions and Voices: Cultural Explorations ofEntornos discursively challenges the erasures, stigma, and silences imposed on women by functioning as a harmonizing choir, a collection of voices to testify on mujerismo, its vision, and its promise for (our) future. This collection puts “on the record” a pathway toward liberation that pushes back against white supremacist projects unleashed by academia, our families, official narratives of the State, and immigration. This book does not seek to equate the experiences of all Latinas or envision a one-size-fits-all response. We harmonize these diverse voices, understanding that these stories, poems, and essays are invoking dif...
AfroLatinas and LatiNegras
AfroLatinas as a subject of scholarship are woefully underrepresented, and this edited volume, AfroLatinas and LatiNegras: Culture, Identity, and Struggle from an Intersectional Perspective, offers an important and timely intervention. The consistent attention to AfroLatinas’ agency across all the chapters is empowering and attentive to the difficult circumstances of asserting that agency, and to the tremendous breadth of what agency can look like. The authors argue for the analytical power of the concept of Intersectionality while considering the hegemonic pressures on AfroLatinidad and the essentializing moves that an intersectional approach enables: evading, overthrowing, and resisting ...
Posthumanism and Latin(x) American Science Fiction
This volume explores how Latin American and Latinx creators have engaged science fiction to explore posthumanist thought. Contributors reflect on how Latin American and Latinx speculative art conceptualizes the operations of other, non-human forms of agency, and engages in environmentalist theory in ways that are estranging and open to new forms of species companionship. Essays cover literature, film, TV shows, and music, grouped in three sections: “Posthumanist Subjects” examines Latin(x) American iterations of some of the most common figurations of the posthuman, such as the cyborg and virtual environments and selves; “Slow Violence and Environmental Threats” understands that posthumanist meditations in the hemisphere take place in a material and cultural context shaped by the catastrophic destruction of the environment; the chapters in “Posthumanist Others” shows how the reimagination of the self and the world that posthumanism offers may be an opportunity to break the hold that oppressive systems have over the ways in which societies are constructed and governed.
Ariel
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Weimar Effects
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Colonial Phantoms
Using a blend of historical and literary analysis, Colonial Phantoms reveals how Western discourses have ghosted—miscategorized or erased—the Dominican Republic since the nineteenth century despite its central place in the architecture of the Americas. Through a variety of Dominican cultural texts, from literature to public monuments to musical performance, it illuminates the Dominican quest for legibility and resistance.
This Will Not Be Generative
This Will Not Be Generative attends to the semiotics of ecological writings via Caribbean literary studies and black critical theory. Closely reading texts by Donna Haraway, Monique Allewaert, and Lisa Wells, it exposes how the language of tentacles and tendrils, an assumptive 'we,' and redemptive sympathy or 'care' disguises extraction from black people and blackness. This often speculative rhetoric, abetted by fantasies of white communion with indigenous groups, contrasts with the horror semiotics of the films Get Out (2017) and Midsommar (2019), which unmask the antagonistic relationship between white survival 'at the end of the world' and blackness as compost.
Dominicanas Presentes
This dissertation argues that geographical displacement has partly defined Dominican national identity as constructed in literary discourses since the country's founding. This entanglement between migration or exile and the nation is most evident in the work of marginalized subjects, including men in the diaspora and women, due to their tenuous relationship to the nation. Each chapter provides a different angle on this issue through several genealogies of alternative, non-patriarchal visions of the Dominican literary and intellectual tradition. My readings of these texts, which include the poetry and epistolary of a nineteenth-century female poet, two recent novels written in the US by Domin...
