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Illustrated with stunning new photography, this catalogue details the J. Paul Getty Museum’s phenomenal holdings of ancient glass, spanning three millennia. The J. Paul Getty Museum’s collection of ancient glass—astonishingly delicate, richly hued, and fancifully shaped—is among the most celebrated in the United States. Ranging from the Bronze Age to the medieval period (1500 BCE–1000 CE), the 584 objects included in this publication originated from a wide geographical area, including the Middle East, the Mediterranean, and central Europe. This catalogue, written by acclaimed scholar Anastassios Antonaras, begins with a fascinating essay on the history of glassmaking—a highly tec...
They are among the most famous and compelling photographs ever made in archaeology: Howard Carter kneeling before the burial shrines of Tutankhamun; life-size statues of the boy king on guard beside a doorway, tantalizingly sealed, in his tomb; or a solid gold coffin still draped with flowers cut more than 3,300 years ago. Yet until now, no study has explored the ways in which photography helped mythologize the tomb of Tutankhamun, nor the role photography played in shaping archaeological methods and interpretations, both in and beyond the field. This book undertakes the first critical analysis of the photographic archive formed during the ten-year clearance of the tomb, and in doing so explores the interface between photography and archaeology at a pivotal time for both. Photographing Tutankhamun foregrounds photography as a material, technical, and social process in early 20th-century archaeology, in order to question how the photograph made and remade ‘ancient Egypt’ in the waning age of colonial order.
This handsome newly designed addition to The Metropolitan Museum of Art’s symposia series furthers the study of one of the most influential but less known periods of Greek art and culture. It is based on papers given at a two-day scholarly symposium held in conjunction with the award-winning exhibition “Pergamon and the Hellenistic Kingdoms of the Ancient World,” on view at the Metropolitan in 2016. The twenty diverse essays exemplify the international scope of the Hellenistic arts, which cover the three centuries between the death of Alexander the Great in 323 B.C. and the suicide of Cleopatra in 30 B.C. Subjects range from twenty-first century approaches to museum displays of archaeo...
This volume includes 10 British Academy lectures and 21 obituaries of departed Fellows.
Announcements for the following year included in some vols.
For nearly a thousand years, the city of Tharros in western Sardinia was central to trade routes and cultural exchange, a hub connecting North Africa, the Balearic Islands, and the Eastern Mediterranean. Its earliest ruins, dating from the seventh century BCE, were likely constructed by Punic settlers from North Africa. The Carthaginians built temples and tombs; the Romans, who arrived in the third century BCE, erected their own infrastructure, such as public baths and aqueducts. Tharros was eventually abandoned around 1000 CE. The site was plundered over the centuries, and treasures from its tombs were widely trafficked. This is the first English-language book to explore the rich and fascin...