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The Shelley-Byron Circle and the Idea of Europe
This book investigates how Lord Byron, Percy Shelley, and their circle understood the idea of Europe. What geographical, cultural, and ideological concepts did they associate with the term? What does this tell us about politics and identity in early nineteenth-century Britain? In addressing these questions, Paul Stock challenges prevailing nationalist interpretations of Romanticism, but without falling prey to imprecise alternative notions of cosmopolitanism or "world citizenship." Instead, his book accounts for both the transnational and the local in Romantic writing, reassessing the period in terms of more complex, multi-layered identity politics.
The Poems of Lord Byron - Don Juan
Byron’s Don Juan is one of the greatest poems in the English language. Byron’s friends initially agreed that ‘it will be impossible to publish this’. Byron prevailed, however, and the first two cantos were issued anonymously after much editorial revision. Even in its revised form, Don Juan was perceived as a radical attack on establishment values; the poem has remained a beacon for freedom of speech and retains its power to shock. Since it was published in 1819–24, all printed editions of the poem have used the text prepared by Byron’s publishers, John Murray and John Hunt. This is the first new text of the poem to be printed in two hundred years. The Longman edition is based on ...
Shelleyan Reimaginings and Influence
Through attuned close readings, this volume brings out the imaginative and formal brilliance of Percy Bysshe Shelley's writing as it explores his involvement in processes of dialogue and influence. Shelley recognizes that poetic individuality is the reward of connectedness with other writers and cultural influences. 'A great Poem is a fountain forever overflowing with the waters of wisdom and delight', he writes, 'and after one person and one age has exhausted all its divine effluence which their peculiar relations enable them to share, another and yet another succeeds, and new relations are ever developed, the source of an unforeseen and an unconceived delight' (A Defence of Poetry). He is ...
The Oxford Handbook of Percy Bysshe Shelley
The Oxford Handbook of Percy Bysshe Shelley takes stock of current developments in the study of a major Romantic poet and prose-writer, and seeks to advance Shelley studies in new directions. It consists of forty-two chapters written by an international cast of established and emerging scholar-critics. This Handbook is divided into five thematic sections: Biography and Relationships; Prose; Poetry; Cultures, Traditions, Influences; and Afterlives. The first section reappraises Shelley's life and relationships, including those with his publishers through whom he sought to reach an audience for the 'Ashes and sparks' of his thought, and with women, creative collaborators as well as muse-figure...
The Unfamiliar Shelley
Stimulated by new editions of Shelley's writings and the evidence of notebooks, the editors have assembled an outstanding group of international Shelley scholars to work through the implications of recent advances in scholarship. With particular attention to texts that have been neglected or underestimated, the contributors consider many important aspects of Shelley's prolific and remarkably diverse output, including the verse letter, plays, prose essays, satire, pamphlets, political verse, romance, prefaces, translations from the Greek, prose style, artistic representations, fragments and early writings. Revaluations of Shelley's youthful works, often criticized for their over-exuberance, pay dividends as they reveal Shelley's early maturation as a writer and also shed light on his later achievement. Taken as a whole, the collection makes evident that Shelley's reputation has been based largely on surprisingly imperfect and incomplete edited publications, driven by Victorian taste and culture. A writer very different from the one we thought we knew emerges from these essays, which are sure to inspire more reappraisals of Shelley's work.
Shelley
Attacked by T.S. Eliot and F.R. Leavis, Shelley's poetry has, over the last few decades, enjoyed a revival of critical interest. His radical politics and arrestingly original poetic strategies have been studied from a variety of perspectives - formalist, deconstructionist, new historicist, feminist and others. Of all the Romantics, Shelly has benefited most from the so-called 'theoretical revolution', as is borne out by the wide range of recent critical work represented in this volume. The 134 essays selected analyse many of Shelley's finest poems, including Alastor, Julian and Maddalo, Prometheus Unbound, Adonais and The Triumph of Life. Michael O'Neill's informed Introduction explores the contours of this debate. Detailed headnotes to the individual essays, explanations of difficult terms, and a further reading section provide invaluable guides to the reader. This collection illuminates the enduring and contemporary significance of the work of a major poet.
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