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The Idea of Cultural Heritage
This book reviews the competing claims that works of art belong either to a particular people and place, or to humankind.
Anti-Portraiture
The portrait has historically been understood as an artistic representation of a human subject. Its purpose was to provide a visual or psychological likenesses or an expression of personal, familial or social identity; it was typically associated with the privileged individual subject of Western modernity. Recent scholarship in the humanities and social sciences however has responded to the complex nature of twenty-first century subjectivity and proffered fresh conceptual models and theories to analyse it. The contributors to Anti-Portraiture examine subjectivity via a range of media including sculpture, photography and installation, and make a convincing case for an expanded definition of portraiture. By offering a timely reappraisal of the terms through which this genre is approached, the chapter authors volunteer new paradigms in which to consider selfhood, embodiment and representation. In doing so they further this exciting academic debate and challenge the curatorial practices and acquisition policies of museums and galleries.
Portraits of Resistance
A highly original history of American portraiture that places the experiences of enslaved people at its center This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built.
Gilbert Stuart
Publisher Description
Becoming a Nation
"Even before the American Revolution, the artists and craftsmen of our young country were forging a distinguished American identity through beautiful examples of fine and decorative arts. Many of the finest examples of the work created during the earliest years of the country's history--from 1730 to 1840--were collected by the U.S. Department of State to decorate the reception rooms where important statesmen and diplomats are greeted. Highlights from this prestigious collection of American art and craft will tour in a nationwide exhibition for the first time. Becoming a Nation features more than 100 objects from the exhibition, each accompanied by detailed essays. The book includes paintings by such notable American masters as John Singleton Copley, Gilbert Stuart, and Fitz Hugh Lane; exceptional works of silver by Paul Revere and Myer Myers; and exquisite baroque, rococo, and neoclassical furniture crafted in Portsmouth, Boston, Newport, Philadelphia, and New York. A definitive study, Becoming a Nation recommends itself to experts and amateurs alike"--Publisher description.
