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Anhand der Fossilien des Pillendrehers (Skarabaus) erforscht Daphna Ben-Tor die Beziehungen zwischen Agypten und der Levante im Zeitraum der 12. und 13. Dynastie. Schon vor langerer Zeit wurde die Bedeutung von Skarabaen-Fossilien zur historischen Rekonstruktion des Verhaltnisses zwischen Agypten und der Levante entdeckt. Doch die Kontroverse uber die Typologie von Skarabaen schloss sie als verlassliche historische Quelle aus. Diese Studie schlagt eine neue Typologie der Pillendreher fur die erste Halfte des zweiten Jahrtausends v.Ch. vor, die sich an den Erkenntnissen zu agyptischen und levantischen Keramik-Sammlungen orientiert. Basierend auf diesen Forschungen kann das Alter der Erdschich...
This new publication from the Egyptian Ministry of State for Antiquities shares the exciting story of the discovery of many unique statues during the excavations of Dr. Zahi Hawass from 1990 through 2009 at Giza. Both Old Kingdom and New Kingdom are represented, including statues of King Menkaure and of Per-ni-ankhu, a dwarf. The most important excavation site was the cemetery of the pyramid builders, near the Great Sphinx. The statues found there, and at the other sites, reveal the exceptional creativity of the ancient sculptors, whose depictions of personages both royal and private continue to fascinate us thousands of years after their making.
Dorothea Arnold's career in Egyptology is distinguished by the scope of her scholarship and by her understanding its detailed messages. She has brought her keen sense of observation and meticulous archaeological reflection to publications and exhibitions that have enriched our understanding of sculpture and relief, pottery and models, the Old Kingdom through the Roman Period. This volume published in her honor reflects her wide-ranging interests. It contains seventy articles by sixty-four Egyptologists, conservators, and scientists, who examine aspects of art history, archaeology, burial customs, language, chronology, conservation, and museum studies covering all periods of ancient Egypt.
Just in time for the centennial of the discovery of Tutankhamun's tomb, this volume of studies dedicated to the leading expert on the "boy king" brings together scholars from all over the world to celebrate the career of C. Nicholas Reeves. It includes a biography and bibliography of Reeves along with cutting-edge discussions of a wide variety of topics concentrating on New Kingdom Egypt and Tutankhamun.
The book is published in conjunction with a traveling exhibition organized by the American Federation of Arts and The British Museum and drawn exclusively from the collection of The British Museum, which is among the finest in the world. Illustrated with images of the works in the exhibition, as well as comparative materials, Eternal Egypt is that rare book of interest and value to the general and scholarly audience alike."--BOOK JACKET.
During the Old Kingdom, the ancient Egyptians constructed elaborately decorated mortuary monuments for their pharaohs. By the late Old Kingdom (ca. 2435-2153 BCE), these pyramid complexes began to contain a new and unique type of statue, the so-called prisoner statues. Despite being known to Egyptologists for decades, these statues of kneeling, bound foreign captives have been only partially documented, and questions surrounding their use, treatment, and exact meaning have remained unanswered. Ancient Egyptian Prisoner Statues-the first comprehensive analysis of the prisoner statues-addresses this gap, demonstrating that the Egyptians conceived of and used the prisoner statues differently over time as a response to contemporary social, cultural, and historical changes. In the process, the author contributes new data and interpretations on topics as diverse as the purpose and function of the pyramid complex, the ways in which the Egyptians understood and depicted ethnicity, and the agency of artists in ancient Egypt. Ultimately, this volume provides a fuller understanding of not only the prisoner statues but also the Egyptian late Old Kingdom as a whole.
Ancient Egyptian Portraiture: History of an Idea concerns the origin, nature, and removal, the unravelling and explanation of the impasse pertaining to the definition, assessment, and judgement of Ancient Egyptian portraiture. Condensed in the syntagm different from ours, this impasse arises from the polarisation and dichotomy of idealism and realism which characterise the three main Egyptological definitions of portraiture. In offering a transcendental definition of art and portraiture that is anthropologically valid, the overarching aim of this book is to challenge assessments of Egyptian art and portraiture based on historically particularistic concepts that are foreign to its cultural premises and development.
This book offers an explanation of how the Great Pyramid was designed and built.
Cutting-edge research by twenty-four international scholars on female power, agency, health, and literacy in ancient Egypt There has been considerable scholarship in the last fifty years on the role of ancient Egyptian women in society. With their ability to work outside the home, inherit and dispense of property, initiate divorce, testify in court, and serve in local government, Egyptian women exercised more legal rights and economic independence than their counterparts throughout antiquity. Yet, their agency and autonomy are often downplayed, undermined, or outright ignored. In Women in Ancient Egypt twenty-four international scholars offer a corrective to this view by presenting the lates...
Ancient Egyptian religious practice flourished across millennia and encompassed a staggering array of gods, goddesses, and other divine beings. This publication outlines the rich iconography used to represent Egyptian deities—from the stately falcon-headed Horus, associated with power and kingship, to the fearsome lion-headed Sakhmet—and explores how these representations evolved alongside the roles of the gods themselves. Illustrated with more than 300 exceptional works of art, including statuary, figurines, jewelry, animal mummies, and coffins, Divine Egypt examines the expansive set of features used to symbolize more than 20 deities and their variations while also familiarizing readers with the meaning and cultural significance of each figure. World-renowned scholars explain how the ancient Egyptians recognized and understood divine images and the otherworldly nature of their gods. Essential reading for lovers of Egyptian art, this book enriches our understanding of not only the deities of ancient Egypt but also the lives of all strata of ancient Egyptian society.