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Mummy Portraits of Roman Egypt, Volume 2
This open-access publication presents new research on ancient Romano-Egyptian mummy portraits, including examinations of artifacts never previously studied. Nearly a thousand funerary portraits from Roman Egypt, once interred with mummified remains, survive in museums around the world. These fascinating paintings offer the unparalleled opportunity for viewers to come face-to-face with people who lived and died some two thousand years ago. The international collaboration known as APPEAR (Ancient Panel Paintings: Examination, Analysis, and Research) was launched in 2013 to promote the study of these objects and gather research findings in a shared database. This second volume of Mummy Portrait...
Dutch Paintings in the Metropolitan Museum of Art
Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.
Thomas Cole's Journey
Thomas Cole (1801–1848) is celebrated as the greatest American landscape artist of his generation. Though previous scholarship has emphasized the American aspects of his formation and identity, never before has the British-born artist been presented as an international figure, in direct dialogue with the major landscape painters of the age. Thomas Cole’s Journey emphasizes the artist’s travels in England and Italy from 1829 to 1832 and his crucial interactions with such painters as Turner and Constable. For the first time, it explores the artist’s most renowned paintings, The Oxbow (1836) and The Course of Empire cycle (1834–36), as the culmination of his European experiences and o...
Frans Hals or not Frans Hals
Frans Hals is hailed as one of the three greatest painters of the Dutch seventeenth century along with Rembrandt and Vermeer. Of all seventeenth-century Dutch painters, Frans Hals is also the most controversial in as far as the exact scope of his oeuvre is concerned. Hals’s popularity, the lack of technical reference material as well as the differing views among experts as to the exact scope of his oeuvre make works in his style prone to doubts and misattributions. It has led to fierce debates and legal battles about the attribution of paintings done in his style. In this Open Access book, experts from Ghent University, Leiden University, Amsterdam University, Delft University of Technolog...
French Paintings in The Metropolitan Museum of Art from the Early Eighteenth Century through the Revolution
This publication catalogues The Met’s remarkable collection of eighteenth-century French paintings in the context of the powerful institutions that governed the visual arts of the time—the Académie Royale de Peinture et de Sculpture, the Académie de France à Rome, and the Paris Salon. At the height of their authority during the eighteenth century, these institutions nurtured the talents of artists in all genres. The Met’s collection encompasses stunning examples of work by leading artists of the period, including Antoine Watteau (Mezzetin), Jean Siméon Chardin (The Silver Tureen), François Boucher (The Toilette of Venus), Joseph Siffred Duplessis (Benjamin Franklin), Jean-Baptiste...
Juan de Pareja: Afro-Hispanic Painter in the Age of Velázquez
Diego Velázquez’s portrait of Juan de Pareja (ca. 1608–1670) has long been a landmark of European art, but this provocative study focuses on its subject: an enslaved man who went on to build his own successful career as an artist. This catalogue—the first scholarly monograph on Pareja— discusses the painter’s ties to the Madrid School of the 1660s and revises our understanding of artistic production during Spain’s Golden Age, with a focus on enslaved artists and artisans. The authors illuminate the highly skilled labor within Seville’s multiracial society; the role of Black saints and confraternities in the promotion of Catholicism among enslaved populations; and early twentieth-century scholar Arturo Schomburg’s project to recover Pareja’s legacy. The book also includes the first illustrated and annotated list of known works attributed to Pareja.
The Royal Neighbor
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Decoding Women’s Magazines
Comprising the largest of magazine categories in the United States, nearly fifty glossy publications addressed to women appear monthly on news-stands. They are a multi-million-dollar business and essential to the marketing of commodities in the consumer society. At the same time, they present to readers a master narrative about the world, an ostensibly women-centred account of reality that links the utopian to the everyday. The multiple mini-narratives that begin on the front covers and extend to the ads and features inside combine to offer a highly pleasurable, appealing consensus about the feminine. Decoding Women's Magazines studies the contradictory semiotic structures at work within and between purchased ads, covert ads, and editorial features in such genres as the beauty and fashion magazines, the service and home titles, those aimed at minority audiences, new female workers, and women with special interests and spending power. Whether addressing readers as Mademoiselle or Ms., contemporary women's magazines employ similar textual strategies to conflate commodities and desire, and thereby attain immense circulations and profits.
