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Life with Durham Cathedral
An ethnographic account of daily life in Durham Cathedral, this book examines the processes of negotiation and change between a community and their cathedral. Focusing on the role of sound, light, time, space, building and dwelling, the author argues that Durham Cathedral is much more than just a backdrop to everyday life. Rather, through the constant processes of negotiation and change, it is a fully engaged participant in the daily lives of those who use Durham Cathedral. As such, it is not a place in which life happens, but a place with which life happens.
Durham Cathedral
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Durham Cathedral
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Durham Cathedral
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Durham Cathedral
For over a millennium, Durham has occupied a central place in English religious history, with its Norman rebuilding (1093-1133) marking it as an internationally significant masterpiece in the history of architecture. Its setting, perched on a peninsula formed by a bend in the River Wear, adds to the visual drama of the building. This monumental volume offers a comprehensive account, with contributions by a team of 30 experts, on the founding, development, building, and decoration of this magnificent and important edifice. The accessible essays gathered here approach Durham Cathedral from a wide variety of fields and vantage points, including liturgy, music, stained-glass decoration, and book collecting. Lavishly illustrated, the book includes both archival and new photography, and reproductions of representations in all media of the cathedral throughout history. Taken together, this landmark publication is a celebration of Durham Cathedral's enormous historical, spiritual, cultural, and architectural significance. Published for the Paul Mellon Centre for Studies in British Art
The Lindisfarne Gospels
Masterpiece of medieval manuscript production and decoration, its Latin text glossed throughout in Old English, the Lindisfarne Gospels is a vital witness to the book culture, art, and Christianity of the Anglo-Saxons and their interactions with Ireland, Italy, and the wider world. The expert studies in this collection examine in turn the archaeology of Holy Island, relations between Ireland and Northumbria, early Northumbrian book culture, the relationship of the Lindisfarne Gospels to the Church universal, the canon table apparatus of the manuscript, the decoration of its Canon Tables, its systems of liturgical readings, the mathematical principles underlying the design of its carpet pages, points of comparison and contrast with the Book of Durrow, the Latin and Old English texts, the nature of the glossator’s ink, and the meaning of enigmatic words and phrases within the vernacular gloss. Approaching the material from a series of new perspectives, the contributors shed new light on numerous aspects of this magnificent manuscript, its milieux, and its significance.
Durham Cathedral
Durham Cathedral is one of the most important Romaesque church in Europe. It was built at the end of the 10th century to house the body of St Cuthbert and was subject to intermittent political struggles throughout the following centuries.
The Architecture of Norman England
This important addition to the literature is the first overall study of the architecture of Norman England since Sir Alfred Clapham's English Romanesque Architecture after the Conquest (1934). Eric Fernie, a recognized authority on the subject, begins with an overview of the architecture of the period, paying special attention to the importance of the architectural evidence for an understanding of the Norman Conquest. The second part, the core of the book, is an examination of the buildings defined by their function, as castles, halls, and chamber blocks, cathedrals, abbeys, and collegiate churches, monastic buildings, parish churches, and palace chapels. The third part is a reference guide to the elements which make up the buildings, such as apses, passages, vaults, galleries, and decorative features, and the fourth offers an account of the processes by which they were planned and constructed. This book contains powerful new ideas that will affect the way in which we look at and analyze these buildings.
Durham Cathedral, an Address Delivered September 24 1879
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
