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Tamayo
Explores the influences between Mexican modernist Rufino Tamayo and the American art world at a time of unparalleled cross-cultural exchange.
¡Printing the Revolution!
This book is associated with the exhibition of the same name, due to open at the Smithsonian American Art Museum in the fall of 2020. It is edited by E. Carmen Ramos, senior curator at the Smithsonian American Art Museum and includes essays by Ramos, Tatiana Reinoza, Terezita Romo, and Claudia Zapata. These essays will discuss how, during the 1960s, activist Chicano artists forged a remarkable history of printmaking that remains vital today. Many artists came of age during the civil rights, labor, anti-war, feminist and LGBTQ+ movements and channeled each period's social activism into assertive aesthetic statements that announced a new political and cultural consciousness among people of Mexican descent in the United States. ¡Printing the Revolution! explores the rise of Chicano graphics within these early--and current--social movements and the ways in which Chicanx artists since then have advanced innovative printmaking practices attuned to social justice.
A Companion to Modern and Contemporary Latin American and Latina/o Art
In-depth scholarship on the central artists, movements, and themes of Latin American art, from the Mexican revolution to the present A Companion to Modern and Contemporary Latin American and Latinx Art consists of over 30 never-before-published essays on the crucial historical and theoretical issues that have framed our understanding of art in Latin America. This book has a uniquely inclusive focus that includes both Spanish-speaking Caribbean and contemporary Latinx art in the United States. Influential critics of the 20th century are also covered, with an emphasis on their effect on the development of artistic movements. By providing in-depth explorations of central artists and issues, alo...
Crime and Punishment in Latin America
Essays in collection argue that Latin American legal institutions were both mechanisms of social control and unique arenas for ordinary people to contest government policies and resist exploitation.
A Handbook of Latinx Art
A curated selection of key texts and artists' voices exploring US Latinx art and art history from the 1960s to the present. A Handbook of Latinx Art is the first anthology to explore the rich, deep, and often overlooked contributions that Latinx artists have made to art in the United States. Drawn from wide-ranging sources, this volume includes texts by artists, critics, and scholars from the 1960s to the present that reflect the diversity of the Latinx experience across the nation, from the West Coast and the Mexican border to New York, Miami, and the Midwest. The anthology features essential writings by Mexican American, Puerto Rican, Cuban American, Dominican American, and Central American artists to highlight how visionaries of diverse immigrant groups negotiate issues of participation and belonging, material, style, and community in their own voices. These intersectional essays cut across region, gender, race, and class to lay out a complex emerging field that reckons with different histories, geographies, and political engagements and, ultimately, underscores the importance of Latinx artists to the history of American art.
From San Juan to Paris and Back
Introduction -- Francisco Oller and the worlds of the Caribbean -- Francisco Oller at home and abroad -- Francisco Oller and Raphael Cordero: art and pedagogy in late nineteenth-century Puerto Rico -- The Battle of Trevino: Oller and the dilemma of "official" painting -- Plantains and coconuts -- Conflicted affinities: Franciso Oller and William McKinley -- Oller and his work in the modern imagination.
The Shape of Power
A major new survey of American sculpture, exploring how it both reflects and redefines concepts of race and identity in the United States How does American sculpture intersect with the history of race in the United States? The three-dimensional qualities of sculpture give it a distinct advantage over other art forms in capturing a subject’s likeness, and our minds can swiftly conjure a body and racialize it from the most minimal of prompts. The Shape of Power examines the role of American sculpture, from the nineteenth century to today, in understanding and constructing the concept of race in the United States and how this medium has shaped the way generations have learned to visualize and...
Latino Firsts
Salute the Latino legends, pioneers, and trailblazers! Celebrate the Hispanic milestones, accomplishments, and victories! An inspiring exploration of 1,250 groundbreaking individuals and pioneering events, Latino Firsts: Trailblazers and Milestones in United States History honors the an indelible mark Hispanics have made on American history and society. Featured are brigadier general Richard E. Cavazos, Nobel laureate Gabriela Mistral, actress America Ferrera, playwright Lin-Manuel Miranda, civil rights activist Dolores Huerta, Congresswoman Ileana Ros-Lehtinen, Supreme Court Justice Sonia Sotomayor, president of the American Association for the Advancement of Science Francisco Ayala, artist...
Domestic Economies
When Porfirio D�az extended his modernization initiative in Mexico to the administration of public welfare, the families and especially the children of the urban poor became a government concern. Reforming the poor through work and by bolstering Mexico?s emerging middle class were central to the government?s goals of order and progress. But Porfirian policies linking families and work often endangered the children they were supposed to protect, especially when state welfare institutions became involved in the shadowy traffic of child labor. The Mexican Revolution, which followed, generated an unprecedented surge of social reform that was focused on families and accelerated the integration ...
Family History of José María Escobar and His Descendants
José Maria Escobar (born ca. 1751) was adopted by José Miguel Antonio Ramírez, and was brought to live in Mier, Tamaulipas, Mexico when he was nine years old. Maria Antonia Gertrudis Chapa was the daughter of Maria Rita López de Jaen, who was the second wife of Escobar's adoptive father. In 1770, Escobar married Maria Antonia Gertrudis Chapa. He inherited a portion of land called Porción 76 from Ramírez, and later purchased the remainder of Porción 76 from his mother in law and step-mother, Maria Rita López de Jaen. The property was in Mier, which later became part of Starr County, Texas. Escobar ancestors came from Spain to Mexico, some being soldiers with Cortez at Vera Cruz in 1519. Members of the Escobar family lived in Texas and northern Mexico, along the Rio Grande River. They settled mainly at Escobares, Los Sáenz, La Rosita, Roma (Roma-Los Sáenz), and Rio Grande City. Others moved to California, New York, Ohio, Washington D.C., and elsewhere.
