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Visual Subjectivity in Chinese and American Thought and Literature
Providing the reader with a systematic study of visual subjectivity in comparative thought and literature, this book analyses the role that vision and visuality, especially interpersonal visuality, plays in the constitution of subject and subjectivity in Chinese and American traditions. Examining the formation of visual subjectivity in the philosophical works by major Chinese and Western thinkers, this book provides a comparative study of four masterworks of Chinese and American fiction, focusing on The Plum in the Golden Vase, The Story of the Stone, Moby Dick, and The Scarlet Letter. It demonstrates that there are both psychologically universal and culturally specific factors and features in the visual constitution and representation of self, identity, subject, and subjectivity. Offering fresh insights for cross-cultural studies of intellectual thought, literature, ideology, and culture through the visual lens, this book will appeal to students and scholars engaged in comparative studies of Chinese and American thought, literature, and narrative theory.
E. A. Robinson's Narrative Poetry
Edwin Arlington Robinson was a prolific American poet during the 1920s. This book approaches one of the critical features of Robinson’s poetry, often overlooked by critics, which is his method of narration. Narration is one of the crucial points in Robinson’s poetry that puzzles his critics. Robinson’s poems are portraits that include characters, setting, a method of narration and all other points that fit any narrative piece. This book takes as its point of departure the idea that unless Robinson’s narrative approach is discussed, no proper understanding of his poems will be achieved. The book deals with the influence of New England and Puritanism on the poet’s life and works. The book studies the poet’s shorter and longer poems. It also includes the study of his masterpiece ‘The Man Against the Sky.’
American Literary Realism, Critical Theory, and Intellectual Prestige, 1880–1995
Focusing on key works of late nineteenth- and early twentieth-century American literary realism, Phillip Barrish traces the emergence of new ways of gaining intellectual prestige - that is, new ways of gaining cultural recognition as unusually intelligent, sensitive or even wise. Through extended readings of works by Henry James, William Dean Howells, Abraham Cahan and Edith Wharton, Barrish emphasises the differences between literary realist modes of intellectual and cultural authority and those associated with the rise of the social sciences. In doing so, he greatly refines our understanding of the complex relationship between realist writing and masculinity. Barrish further argues that understanding the dynamics of intellectual status in realist literature provides new analytic purchase on intellectual prestige in recent critical theory. Here he focuses on such figures as Lionel Trilling, Paul de Man, John Guillory and Judith Butler.
Catalog of Copyright Entries. Third Series
Includes Part 1, Number 1 & 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - December)
Writers Directory
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The Annotated Poe
Presents a selection of Poe's tales and poems with in-depth marginal notes elucidating his sources, obscure words and passages, and literary, biographical, and historical allusions.
