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An American Painter in Venice
A biography of the American painter Ralph W. Curtis (1854–1922), of the Boston family who bought the Palazzo Barbaro on the Grand Canal in Venice in 1885. After graduating at Harvard, Curtis moved to Paris to study art with Carolus Duran, where he met his distant cousin John S. Sargent, with whom he travelled to Holland to see Frans Hals’s paintings. He exhibited at the Paris salons, at the Royal Academy of Arts in London, and at the Venice Biennale in the 1880s. At Palazzo Barbaro he met Robert Browning and Henry James as well as Venetian painters such as Ettore Tito and Antonio Mancini. He travelled widely, even to Japan and India. His works cab be found in American Museums and private collections. This is a revised and enlarged edition of Ralph W. Curtis: un pittore americano a Venezia. Venice: Supernova Edizioni, 2019.
American Painters on Technique
"How paintings were made--in the most literal sense--is an important but largely unknown aspect of the story of American art. This book, like the authors' previous volume on American painting techniques from the colonial period to 1860, is based on descriptions of the materials and methods that painters used, as found in artists' notebooks, painting manuals, magazines, suppliers' catalogues, letters, diaries, books, and interviews. In interpreting this evidence, the authors have made use of their experience as conservators who have treated many important American paintings."--Book jacket.
John Singer Sargent & Chicago's Gilded Age
"An examination of how the work of the American painter John Singer Sargent was displayed, collected, and influential in the civic and cultural development of Chicago, Illinois during the late nineteenth and early twentieth centuries"--
Letters to Isabella Stewart Gardner
Surrounded by the artists, writers and musicians who made up her court in Boston as they did in Venice, Isabella Stewart Gardner, a passionate art collector, was as revered and sought after as royalty. Henry James was inspired by the rich and powerful Gardner, as well as by the Palazzo Barbaro in Venice, when he wrote his novel The Wings of the Dove. Gardner was to recreate a larger-than-life version of Palazzo Barbaro in Boston, which is now the Isabella Stewart Gardner Museum. These dazzling letters bring to life James's passion for Venice and the Palazzo Barbaro, and serve as an introduction to the fascinating world of Isabella Stewart Gardner herself.
John Singer Sargent
painted and displays dozens of contemporary color photographs of the sites." --Book Jacket.
Sargent and Paris
In 1874, eighteen-year-old American artist John Singer Sargent went to Paris to become a painter. Ten years later, he would become an art-world sensation when he sparked controversy with his scandalous portrait Madame X at the 1884 Salon. Sargent and Paris focuses on this decisive early decade in the artist’s career, when he first achieved recognition for ambitious portraits and bold canvases that pushed the boundaries of convention. Eight incisive essays by the world’s foremost Sargent scholars explore his life in Paris—then the epicenter of the cultural world—and the cosmopolitan circle of artists, writers, and cultivated patrons that nurtured his career and helped forge his artist...
Sargent's Women
A unique loan exhibition revealing a new perspective on the early career of John Singer Sargent, and features many works never before reproduced.
Sargent and the Sea
Ships and the sea through the eyes of one of the most remarkable painters of the early 20th century As a young man the American painter John Singer Sargent (1856-1925) was passionate about the sea and deeply knowledgeable about ships and seafaring. Between the ages of 18 and 23 he started his career as a professional painter with a remarkable range of maritime works that form the subject of this exhibition and book. The key works are the two versions of the Oyster Gatherers of Cancale, painted in 1878 on the northern coast of Brittany in France, and the group of studies and sketches around them. The authors relate Sargent's freely handled marine drawings, large and small, to his watercolors,...
High Society
High Society brings to life the colourful personalities of the major artists and patrons of the Gilded Age.
The Edwardians
This catalogue accompanies the exhibition opening at the National Gallery of Australia in March 2004 that aims to reassess the art of the Edwardian period, focusing in particular on the art of Australia. Among Australia's most loved artists are those who went to Europe at the turn of the 19th century to study and live. Many of them stayed abroad for two decades and, like Australian film stars of today, became absorbed onto the world stage. This book places the work of these artists in the context of the British, Irish and American artists with whom they exhibited and associated, and demonstrates their parallel concerns in painterly approach and subject. Opening with paintings by Whistler, which were so influential on the artists of this period, the exhibition focuses on figurative paintings by select British, Irish, American and Australian artists from 1900 to 1914. It also includes George Lambert's King Edward VII (1910), completed shortly before Edward's death and now held in the Commonwealth of Australia Collection. In total the exhibition comprises approximately 140 paintings, sculptures, costumes and fan designs drawn from national and international collections.
