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Everyone knows that planning a wedding can be murder, but when top D.C. wedding planner Annabelle Archer finds an old nemesis hanging by a bridal veil in a hotel ballroom, she's shocked to discover that wedding planners can be murdered as well! Carolyn McCrabe was D.C.'s grande dame of wedding planning and made more than a few enemies in her day, but because many of the hotel staff saw Carolyn and Annabelle arguing only minutes before the aging diva's demise, Annabelle is immediately pegged as the prime suspect. Determined to shake the suspicion from their beloved colleague and friend, Annabelle's flirtatious assistant Kate, flamboyant caterer Richard, and the always–fabulous hairdresser Fern team up to investigate other suspects. But when another wedding planner is found murdered––strangled by a curling iron cord at an industry party––Annabelle realizes that she might not only be a suspect, but a crazed killer's next victim as well.
This book examines society’s responses to many kinds of experimentation, focusing on both creation of and assessment of risks. As people seek new ways to make their lives safer and happier, the widespread process of experimentation claims victims. Some of these are people who directly and willingly accept the risks of experiments. By comparison, some are effectively experimental subjects in the hands of others who often may not even think of themselves as experimenting with the lives of consumers. The Experimental Society covers a wide spectrum of products and activities, including those that radiate into the environment like nuclear power, hydrofracking, and asbestos. The book spotlights ...
In 2005, Scarecrow published Movies Made for Television, 1964-2004, a five-volume reference set commemorating 40 years of every made for TV film since See How They Run debuted in 1964. These books provided a comprehensive listing of every television film and mini-series, detailing each film's original network, airdate, and length of broadcast. In this latest volume, Marill adds another five years of television films, providing information for an additional 400 works produced between 2005 and 2009. Along with a brief summary, entries also include extensive production credits (director, writer, producer, composer, director of photography, and editor) and a complete cast and character listing. With a chronology of the films, an appendix of movies adapted from other sources, and separate indexes for actors and directors, Movies Made for Television, 2005-2009 is a welcome addition to a resource highly regarded by scholars and historians of television and popular culture.
Home of the helmet hairdo and congressional comb-over, Washington, D.C., is a hotbed of fashion faux pas. If anyone should know, it’s “Crimes of Fashion” columnist Lacey Smithsonian. She dishes out advice to the scandal-scorched and clothing-clueless, doing her part to change this town—one fashion victim at a time.... SHAWL TALE Washington, D.C., fashion reporter Lacey Smithsonian has always believed clothes can be magical, but she’s never thought they can be cursed. Until now. Lacey’s best friend, Stella, is finally getting married, and at her bachelorette party, fellow bridesmaid—and fortune-teller—Marie Largesse arrives with a stunning Russian shawl. A shawl, Marie warns, that can either bless or curse the wearer. When a party crasher who mocks the shawl is found dead the next day, the other guests fear the curse has been unleashed. But Lacey has her doubts, and she must employ all her Extra-Fashionary Perception to capture a villain who has vowed that nobody at this wedding will live happily ever after….
Trench coats? hot or not? The author of Grave Apparel proves you can solve mysteries without sacrificing style... Unchallenged and unappreciated, fashion reporter Lacey Smithsonian slips on her trench coat and high-heeled gumshoes to pursue a course in private investigation and a shot at a better job. When a wealthy and erratic D.C. socialite is discovered quite dead outside the classroom, Lacey gets to test those sleuthing skills. Was the victim on her way to share a dangerous secret with Smithsonian? And what does it have to do with a missing Louis Vuitton vintage custom makeup case? Lacey must mix style with substance to unravel these tangled threads before she, or one of her best friends, gets caught in the sights of a cold-blooded killer?
The Congressional Directory presents short biographies of each member of the Senate and House, listed by state or district, and additional data, such as committee memberships, terms of service, administrative assistants and/or secretaries, and room and telephone numbers. It also lists officials of the courts, military establishments, and other Federal departments and agencies, including D.C. government officials, governors of states and territories, foreign diplomats, and members of the press, radio, and television galleries.
As makeover madness sweeps the nation's capital, reporter Lacey Smithsonian interviews TV show makeover success story Amanda Manville. But with Amanda's beauty comes a beast in the form of a stalker with vicious intentions—and Lacey may be the only one who can stop him.
The last velvet factory in Virginia is shutting down for good, killing off jobs and a dying small town. Blame it on changing fashions, the recession, and the global economy. Fashion reporter Lacey Smithsonian is there to cover their sad last day on the job. But with her own job in danger and her newspaper in deep financial trouble, this story hits a little too close to home. And the centerpiece of Lacey's factory tour? A dead body found spooled in the velvet, the manager everyone hated: the "Blue Devil" in a vat of blue dye. Motives, suspects and rumors run riot as murder follows murder. Is this a killer on a purely personal vendetta, or a mysterious "Velvet Avenger" bent on revenge for the velvet workers' shuttered factory and lost jobs? And is the killer just using Lacey for publicity -- or is she too on the Avenger's list? Only the murderer's calling card is chillingly clear: a blue velvet ribbon. As the killer strikes ever nearer, Lacey finds she has much more at stake in this story than just her job.