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Emilie Bergmann discusses the poetic tradition of ekphrasis, the description of visual works of art, from Garcilaso de la Vega to Sor Juana Inés de la Cruz. Dr. Bergmann demonstrates that ekphrasis exposes the boundaries between the arts and the limitations of artistic imitation, while using that limitation as a source for poetic wit.
Winner of the 2010 Distinguished Book Award from the American Sociological Association, Sociology of Sexualities Section Winner of the 2010 Distinguished Book Award in Latino Studies Honorable Mention from the Latin American Studies Association The Sexuality of Migration provides an innovative study of the experiences of Mexican men who have same sex with men and who have migrated to the United States. Until recently, immigration scholars have left out the experiences of gays and lesbians. In fact, the topic of sexuality has only recently been addressed in the literature on immigration. The Sexuality of Migration makes significant connections among sexuality, state institutions, and global e...
Gender and women’s studies have formed part of the academic landscape for many years, but while the field is now established enough to have developed in depth and perspectives, there remain many areas of significance yet to be explored–most significantly, much of the work carried out has remained rooted in the Anglo-American context. Those working outside this context are increasingly aware of the need to understand women in different cultural contexts in order to determine whether, to what extent and how representations of women and cultural contexts are interactive and dynamic concepts. The current volume contributes to the growing interest in the field of women and culture in the Hisp...
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Using each chapter to juxtapose works by one female and one male Spanish writer, Gender and Modernity in Spanish Literature: 1789-1920 explores the concept of Spanish modernity. Issues explored include the changing roles of women, the male hysteric, and the mother and Don Juan figure.
These essays examine a variety of cultural objects described or alluded to in books from the Golden Age of Spanish literature, including clothing, paintings, tapestries, playing cards, monuments, materials of war, and even enchanted bronze heads.
Colours make the map: they affect the map’s materiality, content, and handling. With a wide range of approaches, 14 case studies from various disciplines deal with the colouring of maps from different geographical regions and periods. Connected by their focus on the (hand)colouring of the examined maps, the authors demonstrate the potential of the study of colour to enhance our understanding of the material nature and production of maps and the historical, social, geographical and political context in which they were made. Contributors are: Diana Lange, Benjamin van der Linde, Jörn Seemann, Tomasz Panecki, Chet Van Duzer, Marian Coman, Anne Christine Lien, Juliette Dumasy-Rabineau, Nadja Danilenko, Sang-hoon Jang, Anna Boroffka, Stephanie Zehnle, Haida Liang, Sotiria Kogou, Luke Butler, Elke Papelitzky, Richard Pegg, Lucia Pereira Pardo, Neil Johnston, Rose Mitchell, and Annaleigh Margey.
White, heterosexual, middle-class men have long served as the standard for masculine â oebeauty, â even if such men have refused to embrace this term. This study seeks to denaturalize this standard by exploring the connections between beauty and the broad spectrum of masculinities. The chapters included in Hunks, Hotties, and Pretty Boys contribute primarily to the field of gender studies, specifically masculinity studies. They consider twentieth-century representations of male beauty through a variety of mediums: performance, literature, art, photography, film and television. Although the contributors hail from both the humanities and the social sciences, all share a concern for how beaut...
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