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Maximus the Confessor and Evolutionary Biology
This book brings Maximus the Confessor’s logoi doctrine into dialogue with modern-day evolutionary biology. It explores the extent to which the logoi, as described by Maximus, exhibit features that are concordant with evolution before going on to consider more discordant aspects that cannot be ignored. The author addresses the curious resonance between the logoi and evolution in a systematic way through a close reading of primary textual material allied with a deep understanding of both the classical Darwinian and ‘extended’ evolutionary syntheses. The study joins with other Maximian interpreters in attesting to the incarnational and theophanic nature of the logoi, but seeks to extend this distinctively Eastern Christo-cosmology into the problematic territory of biological evolution, a territory historically dominated by Western scholarship. The book will be of interest to scholars of religion and science, as well as Patristics and the Eastern Orthodox theological traditions.
Creation - Transformation - Theology
The social and cultural challenges posed by the increasing threat to creation (climate change, destruction of biodiversity, etc.) are the starting point for new philosophical-ethical and theological reflections on the relationship between God, human beings and the world, as presented in this volume. God's creative impulse, which transforms anew, is at work in the actions of human beings and challenges us, in view of the threat to the "house of life" earth, to go new ways that make a common and good life possible. Creation and transformation are interrelated; an ecological theology of creation and practice of sustainability to be developed in the European context is to be embedded in the horizon of a global, liberating theology. Prof. Dr. Dr. h.c. Margit Eckholt, professor of dogmatics and fundamental theology at the Institute of Catholic Theology / University of Osnabrück, president of the European Society for Catholic Theology
The Oxford Dictionary of the Christian Church
Uniquely authoritative and wide-ranging in its scope, The Oxford Dictionary of the Christian Church is the indispensable reference work on all aspects of the Christian Church. It contains over 6,500 cross-referenced A-Z entries, and offers unrivalled coverage of all aspects of this vast and often complex subject, from theology; churches and denominations; patristic scholarship; and the bible; to the church calendar and its organization; popes; archbishops; other church leaders; saints; and mystics. In this new edition, great efforts have been made to increase and strengthen coverage of non-Anglican denominations (for example non-Western European Christianity), as well as broadening the focus...
The Workers are Few
By all indications, the Western Church is facing a crisis of pastoral ministry. Pastoral ministry is on a trajectory of decline despite the fact that God has opened a massive mission field on our doorstep, a mission field that requires workers. Moreover, we continue to export the same model of ministry to the global Church, inviting them to join us in the state of crisis. In Matthew 9:37-38, Jesus invites his disciples to consider the vast harvest of souls God has prepared, a harvest awaiting workers. If we want to see our churches healthy and our neighbours come to know Jesus, we must be interested in God’s work to prepare workers for the harvest. This book is an attempt to repair what is...
Phallic Frenzy
Ken Russell has made some of the most daring, disturbing, and beautifully photographed films of all time. Drawing from a wealth of historic and literary references, Russell's subjects are astounding: deranged Ursuline nuns in a 17th-century French province, the inner demons of Mary Shelley and Lord Byron, the sexual angst of Tchaikovsky, the emotionally drained life of Rudolph Valentino, the messianism of a pinball wizard, the fury of lesbian vampires, the introspections of prostitutes. Russell's movies offer not just brazen sensationalism but food for thought; they horrify yet inspire. And through it all, Russell maintains a simultaneously impish and intellectual sense of humor. The first f...
Ken Russell
In the 1970s, British filmmaker Ken Russell (1927–2011) quickly gained a reputation as the enfant terrible of British cinema. His work, like the man himself, was regarded as flamboyant, excessive, and unrestrained. Inheriting and yet subverting the venerable mantle of British documentary, Russell did not fit comfortably in the context of a national cinema dominated by sober realism. His distinct style combined realism with fictional devices, often in audacious ways, to create the biographical “docudrama.” In Ken Russell: Interviews, the filmmaker discusses his colorful life and career, from his youth fascinated by movies to his early work in television through his feature films and his...
Social Register, Pittsburgh
Includes "Dilatory domiciles"; for some volumes, some of these updates are issued separately as supplements.
