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Bringing together twenty-seven established and emerging scholars, The Routledge Companion to Queer Literary Studies discusses the historical development, current state, future directions, and political stakes of queer literary studies as a field of research and pedagogy. This innovative collection offers new frameworks for studying and teaching literature, art, film, music, theory, and philosophy from the medieval period to the twenty-first century. The contributors consider the structural implication of gender and sexuality with race, class, gender, ability, colonialism, capital, empire, ability, and relationships between human and non-human life and matter. The Routledge Companion to Queer Literary Studies is a vital resource for scholars, students, and teachers working across a range of historical periods, critical methods, and objects of study. It offers a multitude of approaches to queer literary studies, revealing the field to be as vital, and as contested, as ever.
What does freedom mean without, and despite, the state? Ida Danewid argues that state power is central to racial capitalism's violent regimes of extraction and accumulation. Tracing the global histories of four technologies of state violence: policing, bordering, wastelanding, and reproductive control, she excavates an antipolitical archive of anarchism that stretches from the favelas of Rio de Janeiro to the borderlands of Europe, the poisoned landscape of Ogoniland, and the queer lifeworlds of Delhi. Thinking with a rich set of scholars, organisers, and otherworldy dreamers, Danewid theorises these modes of refusal as a utopian worldmaking project which seeks not just better ways of being governed, but an end to governance in its entirety. In a time where the state remains hegemonic across the Left–Right political spectrum, Resisting Racial Capitalism calls on us to dream bolder and better in order to (un)build the world anew.
In this daring study, Amy De'Ath develops a new type of literary criticism attuned to the way our lives are shaped by capital's impersonal compulsions – by what happens "behind our backs." Challenging the symptomatic interpretive methods of Western Marxism, De'Ath argues that value-critical accounts of Marx's work enable a feminist reading method that understands how value dissimulates itself from the social forms it generates, obscuring their historical content. Close reading works by Kay Gabriel, Bernadette Mayer, Bhanu Kapil, Marie Annharte Baker, Alli Warren, and Hannah Black, Behind Our Backs explains how these examples of feminized ingenuity reveal capital to be the expression of a social relation that must take form—an abstract logic realized every day, and one whose gendering inversions are felt and critiqued in the poetic experiments of trans, queer, Indigenous, and diasporic writing. Feminized poetry, De'Ath demonstrates, is both a central archive and theoretical powerhouse for the critique of capitalist political economy.
Western political theory typically incorporates certain assumptions about sex and gender as natural, unvarying and “pre-political.” This book critically examines these assumptions and shows how recent scholarship undermines the illusion that bodies exist outside politics and beyond the reach of the state. Leading political theorist Mary Hawkesworth’s cutting-edge intersectional account demonstrates how popular conceptions of human nature, public and private, citizenship, liberty, the state, and injustice relegate women, people of color, sexual minorities, and gender-variant people to inferior status despite constitutional guarantees of equality before the law. Hawkesworth argues that traditional political theory has contributed to the perpetuation of pernicious forms of injustice by masking the state’s role in the creation of subordinated and stigmatized subjects. The book draws insights from critical race, feminist, postcolonial, queer, and trans* theory to give a compelling, original, and highly readable introduction to historical and contemporary debates on gender and political theory for students.
Emma Heaney's The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory traces the evolution of the "trans feminine" as an allegorical figure from its origins in the late nineteenth century to contemporary Queer Theory.
What does it feel like to experience your body cleaving into two or more while listening to lawyers, judges, pundits, and politicians center debates about reproductive healthcare around the viability line, the fantasized moment when any fetus could be extracted from the uterus and survive? What form of subjectivity is produced by the recurrent practice of scrolling through photographs of children crushed in war while a baby sleeps beside you, indistinguishable from the dead children in expression and bodily habit? This Watery Place departs from author Emma Heaney’s experiences to address these questions, which are situated between the particular historical moment of her pregnancies, of any individual pregnancy, and the transhistorical continuities of the sensations, emotions, socialities, and conceptual provocations that have long accompanied gestation. The book centers the embodied realities that are often mystified in the sentimentalizing of motherhood, a process that enables the material abandonment of those who do the labor of gestation and care, and, indeed of children. As a result, gestation is revealed as a process against cisness, wage work, and the death cult of war.
For all students, college is a time of exploration, a time to find oneself and come to grips with ones self-identity. Featuring real-life stories, this handbook addresses the specific challenges that lesbian, gay, bisexual, and transgender students face during their college years.