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James Joyce and the Matter of Paris
James Joyce must be understood as drawing on French nineteenth- and twentieth-century literary innovations to grapple with the challenges of Paris.
Advertising and Consumer Culture in Ireland, 1922-1962
This book explores advertising and consumer culture as key aspects of everyday life and national culture in twentieth-century Ireland. It makes a particular argument that the presence of anti-materialist rhetoric in some parts of Irish public life after Independence has obscured the existence of a lively consumer culture throughout the period, as evident in the many advertisements which supported Irish newspapers and magazines, the jingles broadcast on Irish radio, and the neon advertising signs and billboards on Irish streets. The book focuses on the development of the advertising industry itself, and the sophisticated ways in which it worked to associate consumption with national pride. It...
Modernism, Imperialism and the Historical Sense
Modernist art and literature sought to engage with the ideas of different cultures without eradicating the differences between them. In Modernism, Imperialism and the Historical Sense, Paul Stasi explores the relationship between high modernist aesthetic forms and structures of empire in the twentieth century. Stasi's text offers new readings of James Joyce, Ezra Pound, T. S. Eliot and Virginia Woolf by situating their work within an early moment of globalization. By combining the insights of Marxist historiography, aesthetic theory and postcolonial criticism, Stasi's careful analysis reveals how these authors' aesthetic forms responded to, and helped shape, their unique historical moment. Written with a wide readership in mind, this book will appeal especially to scholars of British and American literature as well as students of literary criticism and postcolonial studies.
Writing the Global Riot
The history of the modern riot parallels the development of the modern novel, and writers have collectively shaped perceptions of the riot as a form of political and social expression. The essays in this volume analyse literature's dialogue with the histories of violence bound up in the riot as an inherently volatile form of collective action.
The Speed Handbook
An argument that the sensation of speed (made available to many through the mass-produced automobile) was the quintessential way that people experienced modernity.
Origins of English Literary Modernism, 1870-1914
The aim of this work is to focus on the non-dramatic works of the early period of modernism in England with an emphasis on the origins and development of key writers and poets. Other such studies date to the mid1980s (Michael Levenson, Sanford Schwartz, Stan Smith, e.g.) and tend to lean heavily toward intellectual history or poetics. This work strives to include a broad mix of thought as to the issue and the purpose of modernism including cultural anthropology, mythology, impressionism and the use of architectural space, with some attention to publishing (the development of the English short story, emergence of literary magazines, and use of literary reviews in creating a "public' for new w...
Conrad's Trojan Horses
"Tom Henthorne counters that Conrad's work can be best understood in relation to that of such early twentieth-century writers as S. K. Ghosh and Solomon Plaatje - postcolonialists who developed innovative ways of cloaking their anti-imperialism when working with British publishers. In Almayer's Folly, An Outcast of the Islands, and his first short stories, Conrad attacks imperialism overtly. Yet as he began to work with more conservative publishers to acquire a larger, imperial audience, he developed a Trojan Horse strategy, deliberately obfuscating his radical politics through his use of multiple narrators, irony, free indirect discourse, and other devices that are now associated with modernism." "Sensitive to the breadth of his prospective audience, Henthorne offers an engaging and accessible analysis of Conrad's canon. He also considers critical responses to Conrad and the influence Conrad has had upon modernist and postcolonial writers."--BOOK JACKET.
