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Aus dem Inhalt: M. Landfester: Die Naumburger Tagung �Das Problem des Klassischen und die Antike� (1930). Der Klassikbegriff W. Jaegers � J. Latacz: Reflexionen Klassischer Philologen auf die Altertumswissenschaft der Jahre 1900-1930 � U. H�lscher: Str�mungen der deutschen Gr�zistik in den 20er Jahren � G. W. Most: Die Vorsokratiker in der Forschung der 20er Jahre � P. L. Schmidt: Die deutsche Latinistik vom Beginn bis in die 20er Jahre des 20. Jhs. � K. Schefold: Neue Wege der Klassischen Arch�ologie nach dem ersten Weltkrieg � A. H. Borbein: Die Klassik-Diskussion in der Klassischen Arch�ologie � M. R. Hofter: G. Kaschnitz von Weinberg � A. Wittenburg: B. Laum...
Apprenticeship : A key route to skill, 5th report of session 2006-07, Vol. 2: Evidence
"Ernst Buschor (1886-1941) was a German classical archaeologist and cultural historian. This book, perhaps his most important work, concerns periodicity in art. Published originally in German in 1942, its central subject is the highly expressive nature of Greek sculpture. Bushor expands on the notion of distinct phases, or periods, through which Greek sculpture evolved. These phases, he argues, are so deeply embedded in human consciousness that the aims of craftsmen-sculptors in other ages and cultures must be seen as taking part in the same inevitable drama. Other scholars have, of course, noted this parallelism and a recent critic has extended it even farther afield geographically (Joseph ...
In "Mythology in Marble," Louie M. Bell intricately weaves together ancient mythological themes with the rich aesthetic experience of classical sculpture. The book is a masterclass in literary style, employing poetic language and vivid imagery to explore how marble serves as both a physical medium and a metaphorical canvas for human creativity. Bell situates his discourse within the broader literary context of art criticism and mythological literature, drawing connections between artistic representation and the narratives that have shaped human civilization throughout history. Each chapter invites readers to consider not only the techniques of sculptors but also the mythological stories that...
The first comprehensive biography of pioneering archaeologist and museum curator Winnifred Lamb, who was honorary keeper of Greek antiquities at the Fitzwilliam Museum, Cambridge in the four decades immediately following the First World War.
RES 63/64 includes "Source and trace" by Christopher S. Wood; "Timelessness, fluidity, and Apollo's libation" by Milette Gaifman; "A liquid history: Blood and animation in late medieval art" by Beate Fricke; "Guercino's 'wet' drawing" by Nicola Suthor; "The readymade metabolized: Fluxus in life" by David Joselit; and other papers.