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What are the implications of establishing a university department for ethnomusicology ``in the field''? How does this affect not only the local music culture but also the development of ethnomusicology? What are the advantages/disadvantages of an ethnomusicology curriculum giving as much importance to practical training in music as to theory classes? At Kathmandu University's Department of Music in Bhaktapur, ethnomusicologists and professional musicians together support the sustainability of traditional music in Nepal by developing approaches that explore the space between ``keeping it as it is'' (conservation) and ``letting it disappear'' (non-interference). This book examines these efforts through an analysis of ethnomusicological research and teaching and the work of professional musicians involved in the development of new forms of popular music. It offers unique insights into a decades-spanning project of applied ethnomusicology, while also contributing to the discourse about musical sustainability and the localisation and practical application of ethnomusicology in South Asia and beyond.
The second volume of the Handbook describes different extractive economies in the world regions that have been outlined in the first volume. A wide range of economic actors – from kings and armies to cities and producers – are discussed within different imperial settings as well as the tools, which enabled and constrained economic outcomes. A central focus are nodes of consumption that are visible in the archaeological and textual records of royal capitals, cities, religious centers, and armies that were stationed, in some cases permanently, in imperial frontier zones. Complementary to the multipolar concentrations of consumption are the fiscal-tributary structures of the empires vis-à-...
Was meint das Spielen digitaler Spiele? Welche Handlungen vollziehen sich im spielerischen Umgang mit diesen algorithmischen Medien, die Bedingungen algorithmischer Kontrolle ästhetisch erfahrbar machen? Anhand poetologischer Einzelstudien sowie Diskursen zu algorithmischer Prozessualität, verkörperter medialer Erfahrung und handlungsphilosophischen Konzepten entwickelt das Buch eine medienästhetische Theorie des Handelns in digitalen Spielen.
This volume explores linkages between conflict and socioeconomic organization during the early Neolithic of eastern Belgium (c. 5200-5000 BC), using compositional analysis of ceramics from Linienbandkeramik villages to assess production organization and map intercommunity connections against the backdrop of increasing evidence for conflict.
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Includes entries for maps and atlases.
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