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History, Practice and Pedagogy
This edited volume explores the historical, practical and pedagogical possibilities for expressing and cultivating empathy through works of art. While aspects of what we today recognize as empathy has nestled in the artistic experiences and philosophies of all ages, the subjective and elusive nature of empathic responses has often resulted in the relegation of empathy to the margins of art historical inquiry. Moving into the second quarter of the twenty-first century, amidst global health crises, civic unrest, political turmoil, and persistent social inequities and injustices, this capacity to feel with and as someone or something outside of ourselves is more critical than ever. Probing the very notion of empathy, contributions address themes ranging from environmental and social justice to identity and inclusion to transdisciplinary pedagogies and practices, each with a critical eye to how works of art not only appeal to empathic sensibilities, but might play an active role in developing capacities for empathy in viewers.
Regimes of Capital in the Post-Digital Age
Regimes of Capital in the Post-Digital Age provides a view of the current state of capitalism, through the interrogation of key diagnoses offered by philosophers and social theorists. With attention to questions about the manner in which the advent of the information age has shaped capitalism, the implications of the post- digital age for social capital, and the possible forms of resistance to the problematic aspects of capitalism, it will appeal to scholars of sociology, philosophy, and social theory with interests in critical theory, capitalist society, and digital culture.
Counting the Miracles: Jewish Thought, Mysticism, and the Arts from Late Antiquity to the Present
In honor of the writings of Giulio Busi, scholar of Jewish culture, the book investigates from a multidisciplinary perspective the extraordinary richness of Jewish culture in the Diaspora from antiquity to the latter part of the 20th century. A number of rabbinic writings, medieval manuscripts from the South of France, visual qabbalah, the Yiddish language, artistic expressions as well as the philosophical and social traditions of some prominent twentieth-century figures will be explored. While the Jewish cultural tradition has always incorporated the cultural influences of the broader socio-historical context in which it was embedded, it has in turn been a source of inspiration for the inte...
Deus Est Caritas: The Voice of Gabriele Biondo on Personal Justification and Church Reform
The book examines the life and the writings of Gabriele Biondo, a secular priest who lived in the little town of Modigliana between the second half of the fifteenth century and the first decades of the sixteenth century. Through a careful examination of his writings and the sources he used, this book allows the reader to obtain a more precise understanding of Biondo, his background, his life, his movements, the difficulties that he encountered (mainly with the ecclesiastical authorities and the other members of the clergy, but also with civic leaders), and the main events of his life. Additionally, Biondo was the leader of a minor following formed by nuns, secular women, and laymen. Therefore, this book illustrates Biondo’s pastoral activity, the ideas and principles that supported his actions, and the objectives he was pursuing. Given these various objectives, this book is of interest to those scholars and academics interested in the religious tensions that swept through Europe in the years immediately preceding the Protestant Reformation and who, consequently, seek to investigate Biondo’s personal and complex answer to these tensions.
The Strad
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Edgar Wind
"Edgar Wind (1900-1971) was a cosmopolitan scholar who made important contributions to many disciplines, including philosophy, Renaissance art history and modern art criticism. Born in Berlin, Wind started his career in Hamburg as a research assistant in the library of cultural theorist Aby Warburg. During the rise of Nazism, Wind played a decisive role in moving Warburg's collection from Hamburg to London, where it became the core of the Warburg Institute, now part of the University of London. Wind's academic career took him to prestigious institutions across Europe and the United States, culminating in his appointment in 1955 as Oxford's first professor of art history. Wind was also a rema...
Splasc(H) Records
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