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Animation in Austria
This book provides a comprehensive account of Austrian animation history, as well as an analysis of the current state of the industry in competition with American and cheaper international products in the face of dwindling budgets. The book outlines the history of Austrian animated film from the actual beginnings at the time of the First World War. It looks at the reconstruction of the animation industry during the 1950s and 60s and covers experimental animation from the 1970s onwards. The final part of the book explores modern Austrian animation and looks ahead to the future of animation production within the country. This book will be of great interest to academics, students, and professionals working and researching in the field of animation.
Animation in the Netherlands
This book uncovers the rich, often overlooked history of Dutch animation, offering fresh insights into the films and the cultural and political influences that shaped them. Enriched with film stills, sketches and behind-the-scenes visuals, it culminates in 18 personal filmmaker profiles, exploring their inspirations and creative journeys. How did animation techniques and styles evolve in the Netherlands and what influence did the digital revolution exert on the Dutch animation film production and the animation films that were made? What role did cultural institutions like Film Fund, Holland Animation Association, the Holland Animation Film Festival, the Netherlands Institute for Animation Film, Eye Film Museum, Kaboom Animation Festival and art schools play? How do animation films and visual art intertwine in the Netherlands? These subjects are explored and interspersed with critical analyses of the works of Dutch animation masters. This book will be of great interest to academics, students and professionals working and researching in the field of animation.
Acting and Character Animation
Animation has a lot to do with acting. That is, character animation, not the standardized, mechanical process of animation. Acting and animation are highly creative processes. This book is divided into two parts: From film history we learn about the importance of actors and the variety of acting that goes into animation; then, we will turn to the actor's point of view to describe the various techniques involved. Through exhaustive research and interviews with people ranging from the late Ray Harryhausen, Jim Danforth, Joe Letteri, and Bruno Bozzetto, this book will be the primary source for animators and animation actors. Key Features Interviews with industry legends are found throughout this exhaustive work on animation From film history we learn about the importance of actors and the variety of acting that goes into animation, then turn to the actor's point of view to describe the various techniques involved Coverage of acting from Vaudeville to Rotoscoping to Performance Capture Case studies throughout bring the content to life while providing actionable tools and techniques that can be used immediately
Animation in Spain
This book provides a comprehensive account of Spanish animation history, from its early days through to the arrival of CGI. It examines the two main centers of production, Barcelona and Madrid, as well as evolving animation hubs in the Basque Country and Galicia. This book also pays tribute to the women who were significant to the animation industry and had been invisible for many years, highlighting more recent attempts to achieve equality in the Spanish animation industry thanks to help from the government and women’s associations looking to balance the inequality in this domain. This book will be of great interest to academics, students, and professionals working and researching in the field of animation.
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Theorien des Comics
Mit der aktuellen Popularität von Comicverfilmungen sind Comics heute in unserer Kultur präsenter als je zuvor. Gleichzeitig eröffnen Graphic Novels wie Art Spiegelmanns »Maus« neue Möglichkeiten der Beschäftigung mit sozialen Praktiken und kollektiver Erinnerung. Vor dem Hintergrund der zunehmenden Hybridisierung in Medien, Kunst und Kultur hebt dieser Reader das medienreflexive, narrative und politische Potenzial einer noch jungen Kunstform hervor und versammelt richtungsweisende Ansätze der internationalen Comicforschung aus den Bereichen »Transmedialität«,»Erzähltheorie«, »Interaktive Medien«, »Visuelle Kultur« und »Queer Theory«. Mit Beiträgen u.a. von Jens Balzer, Ole Frahm, Pascal Lefèvre, Mark McLelland sowie Kathleen Martindale und zahlreichen Abbildungen.
Dansk film under nazismen
Kontroversiel, historisk bog kortlægger den danske filmbranches samarbejde med Nazi-Tyskland under Besættelsen. Hitler og arkitekterne bag Det Tredje Rige var i høj grad klar over filmmediets anvendelighed som propagandamaskine. Danmark havde hidtil været filmisk foregangsland under stumfilmsperioden, og tyskerne sørgede for at udnytte denne ekspertise til egen fordel. Det er en fortælling om, hvordan folk, også selvom de ikke var nazister, i realiteten gennemførte nazisternes ønsker. Det er ikke nogen sort-hvid fortælling, men en historie om gråzoner, opportunister, kollaboratører og store penge. Bogen er baseret på ny forskning og sprængfyldt med afsløringer af det mildest talt betændte samarbejde med Det Tredje Rige. E-bogen indeholder filmklip, der kan ses direkte i e-bogen i læsesystemer, der understøtter video og hvor visning af online indhold er tilladt. Bagerst i bogen findes desuden en liste over alle videoerne og links til YouTube. Lars-Martin Sørensen, ph.d., er forskningsleder ved Det Danske Filminstitut og er desuden ansvarshavende direktør for deres tidsskrift for filmforskning og filmkultur Kosmorama.
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