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Journey Westward
Journey Westward suggests that James Joyce was attracted to the west of Ireland as a place of authenticity and freedom. It examines how this acute sensibility is reflected in Dubliners via a series of coded nods and winks, posing new and revealing questions about one of the most enduring and resonant collections of short stories ever written. The answers are a fusion of history and literary criticism, utilizing close readings that balance the techniques of realism and symbolism. The result is a startlingly original study that opens up fresh ways of thinking about Joyce's masterpieces.
Literary Coteries and the Irish Women Writers' Club (1933-1958)
This book is an original account of coterie culture in twentieth-century Ireland and the networks and connections which fostered women's writing. It paints a vivid portrait of the inspirational women involved in the Women Writers' Club, showcasing their influence and achievements in literature and their political campaigning for intellectual and creative freedom.
The Irish Proust
This collection of essays is the first book devoted to exploring Marcel Proust's influence on Irish literature and Irish themes within his work. Featuring contributions from eleven scholars of French and Irish studies, The Irish Proust reveals a surprising textual dimension of Proust's novel and traces the enduring legacy of his work throughout modern Irish letters. Proust's work, which was banned in Ireland during the 1940s and 1950s, occupies an essential position within the Irish literary and cultural imaginary. From Samuel Beckett and Elizabeth Bowen to Brendan Behan and John McGahern, À la recherche du temps perdu has been a touchstone for generations of Irish writers. Including bold new readings of Proust's presence within the writings of Beckett, Bowen, Behan, McGahern, and Mary Devenport O'Neill, The Irish Proust draws on a wide range of archival sources and sheds new light on the cosmopolitan, modernist literary culture that emerged in post-independence Ireland despite a hostile official climate.
Teaching John McGahern's "The Dark"
Teaching John McGahern's "The Dark" provides an indispensable companion to the classic Irish novel. With an introduction aimed at first-time readers and four critical essays, this edition guides readers through the novel’s famously controversial history. While The Dark was initially banned in Ireland for obscenity, scholars now demonstrate that McGahern’s novel of adolescence is not obscene, but revelatory, exposing the corruption underlying authority structures in mid-century Ireland—from the family to the church, to the government’s willingness to ignore national and communal trauma. The Dark is a story of alarming brutality, surprising tenderness, and poetic lyricism; a reflection of Irish society that maintains historical significance as contemporary Ireland continues to build its national identity. An invaluable resource, this edition gives students and scholars a rich source of contextualizing material to address the themes and significance of McGahern’s complex novel.
The Dark
Bringing John McGahern’s 1965 masterpiece back into print in the United States after years of inaccessibility, this new sixtieth-anniversary critical edition includes an introduction aimed at first-time readers, explanatory footnotes, McGahern’s own glossary, and four scholarly essays aimed at guiding readers through the novel’s famously controversial history. While the text was initially banned in Ireland for obscenity, this edition demonstrates that McGahern’s novel of adolescence is not obscene, but revelatory, exposing the corruption underlying authority structures in mid-century Ireland—from the family to the church, to the government’s willingness to ignore national and com...
The Oxford Handbook of Modern Irish Fiction
The Oxford Handbook of Modern Irish Fiction presents authoritative essays by thirty-five leading scholars of Irish fiction. They provide in-depth assessments of the breadth and achievement of novelists and short story writers whose collective contribution to the evolution and modification of these unique art forms has been far out of proportion to Ireland's small size. The volume brings a variety of critical perspectives to bear on the development of modern Irish fiction, situating authors, texts, and genres in their social, intellectual, and literary historical contexts. The Handbook's coverage encompasses an expansive range of topics, including the recalcitrant atavisms of Irish Gothic fic...
Farming in Modern Irish Literature
Explores the various ways in which the farm and farming have been represented in Irish writing in the period of Independence and Partition after 1922.
Touchstones: John McGahern’s Classical Style
Touchstones examines the ways in which John McGahern became a writer through his reading. This reading, it is shown, was both extensive and intensive, and tended towards immersion in the classics. As such, new insights are provided into McGahern’s admiration and use of writers as diverse as Dante Alighieri, William Blake, James Joyce, Albert Camus and several others. Evidence for these claims is found both through close reading of McGahern’s published texts as well as unprecedented sleuthing in his extensive archive of papers held at the National University of Ireland, Galway. The ultimate intention of the book is to draw attention to the very literary and writerly nature of McGahern as an artist, and to place him, not just as a great Irish writer, but as part of a long and venerable European tradition.
Western Land Owner
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Irish Writers and The New Yorker in the Mid-Twentieth Century
Irish Writers and The New Yorker in the Mid-Twentieth Century draws on archival research in the New Yorker records to uncover the contractual details of the first-reading agreement, The New Yorker’s “fat” payments, and Irish writers’ relationships with their editors and peers. The book offers fresh readings of the Irish stories in the publishing context of the magazine. The Irish writers examined in this book include celebrated authors, Elizabeth Bowen, Edna O’Brien, Benedict Kiely, and John McGahern. It also includes Irish and Irish-American writers whose literary works are lesser known today: Patricia Collinge, Walter Macken, Norah Hoult, and Elizabeth Cullinan. Combining the met...
