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The present volume collects current research on manuscripts written in the demotic language, which have recently been discovered in excavations or which can be found in museums worldwide. The manuscripts’ topics range from religion, law, and literature through ancient Egyptian linguistics to the history of economics as well as social history. Featured articles were first presented at the International Conference for Demotic Studies in Leipzig.
In Orality and Literacy in the Demotic Tales, Jacqueline E. Jay extrapolates from the surviving ancient Egyptian written record hints of the oral tradition that must have run alongside it. The monograph’s main focus is the intersection of orality and literacy in the extremely rich corpus of Demotic narrative literature surviving from the Greco-Roman Period. The many texts discussed include the tales of the Inaros and Setna Cycles, the Myth of the Sun’s Eye, and the Dream of Nectanebo. Jacqueline Jay examines these Demotic tales not only in conjunction with earlier Egyptian literature, but also with the worldwide tradition of orally composed and performed discourse.
Violence and Gender in Ancient Egypt shifts the focus of gender studies in Egyptology to social phenomena rarely addressed through the lens of gender – war and violence, exploring the complex intersections of violence and gender in ancient Egypt. Building on current discussions in philosophy, anthropology, and sociology, and on analysis of relevant historic texts, iconography, and archaeological remains by looking at possible gender patterns behind evidence of trauma, the book bridges the gap between modern understandings of gendered violence and its functioning in ancient Egypt. Areas explored include the following: differences in gendered aggression and violent acts between people and de...
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Imagine Jerusalem around 600 BC, the world of Lehi, Sariah, Laban, Zoram, Josiah, and Jeremiah. How did people live? What motivated them? And what eventually destroyed their city? The answers to such questions foster better understanding of the prophetic words of Lehi, Nephi, and Jacob in the Book of Mormon. Much of that era was lost forever when Jerusalem met its prophesied fate and was destroyed by the Babylonians. The Temple of Solomon and the city walls were torn down, buildings burned, treasuries looted, people killed or deported, records lost or destroyed, and certain religious beliefs changed or extinguished. Glimpses of Lehi's Jerusalem offers modern readers a vivid look at revealing events in a crucial quarter century in world history.
This important study looks at a group of so-called sculptors’ models from the Late and Ptolemaic periods, which may have formed an essential part of the teaching and learning process in the sculptors’ workshops or may simply have been votive objects for worship or petition in the temples. The objects are sculptures in the round or reliefs. Most of them are fairly small - measuring an average of 10 to 30 cm - but occasionally they may measure up to 60 cm. Usually, they are of limestone, but a few are of hard stone, wood, or plaster. The range of subjects is limited mainly to individual figures, or parts of full figures, of gods, goddesses, kings, queens, priests, non-royal male and female persons, animals, and architectural elements.
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"The exhibition in the building that once contained the prisoners' kitchen is the last major permanent exhibition to be completed in the course of the remodeling Sachsenhausen Memorial. Located near the middle of the memorial site, it functions to a certain extent as a referrer to the other twelve exhibitions at the Memorial. The exhibition also offers a compact overview of selected parts of the camp's history. It examines important events and periods such as the camp's establishment in 1936, the mass internments in 1938, changes with the outbreak of war in 1939, the mass murder of Soviet prisoners of war in 1941, the creation of satellite camps beginning in 1942, and the final phase, with mass murders, the death marches and, at last, liberation. The sections of the exhibition are arranged so as to create a pattern of events within the display space, thus revealing interrelationships, as well as constants and changes, in the development of Sachsenhausen Concentration Camp."--Cover
This Film Is Dangerous is an anthology published by the International Federation of Film Archives (FIAF) to examine and to celebrate the life, the death, the afterlife, and the mythology of nitrate film. It incorporates the papers given at the symposium The Last Nitrate Picture Show during the FIAF Congress in London in June 2000, as well as a wealth of original contributions by historians, archivists, veterans, and enthusiasts around the world.