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The Farm as a Social Arena
'The Farm as a Social Arena' focusses on the social life of farms from prehistory until c. 1700 AD, based mainly, but not exclusively, on archaeological sources. All over Europe people have lived on farms, at least from the Bronze Age onwards. The papers presented here discuss farms in Norway, Sweden, Iceland and Germany. Whether isolated or in hamlets or villages, farms have been important elements of the social structure for thousands of years. Farms were workplace and home for their inhabitants, women, men and children, and perhaps extended families - frequently sharing their space with domestic animals. Sometimes important events such as feasts, religious services and funerals also took ...
Isn't Justice Always Unfair?
Isn't Justice Always Unfair? explores the uncommonly long and uncommonly rich relationship between the fictional detective and his or her South. It begins with the New Orleans expatriate, Legrand, uncovering Captain Kidd's treasure on an island off Charleston, South Carolina; it covers the satires and parodies of Mark Twain and the polished stories of Melville Davisson Post and Irvin S. Cobb; and it concludes with surveys of the many good and excellent writers who are using the form of the detective story to compose inquiries into the character of life in the South today. At the center of Isn't Justice Always Unfair? lies an analysis of a most remarkable phenomenon: William Faulkner's exploitation of the genre as an avenue into his postage stamp of Southern experience, Yoknapatawpha County.
An Archaeology of the Troubles
This volume reveals the seminal role of material culture in understanding the Long Kesh / Maze prison during the course of the Troubles in Northern Ireland continuing into the peace process. Using a multitude of sources, it provides an interpretation of the Troubles and the continuing destabilizing role of material remnants of the conflict.
The Goddess and the Bull
Veteran science writer Michael Balter skillfully weaves together many threads in this fascinating book about one of archaeology’s most legendary sites— Çatalhöyük. First excavated forty years ago, the site is justly revered by prehistorians, art historians, and New Age goddess worshippers alike for its spectacular finds dating almost 10,000 years ago. Archaeological maverick Ian Hodder, leader of the recent re-excavation at this Turkish mound, designated Balter as the project’s biographer. The result is a skillful telling of many stories about both past and present: of the inhabitants of Neolithic Çatalhöyük and the development of human creativity and ingenuity, as revealed in th...
Remains of the Soviet Past in Estonia
What happens to legacies that do not find any continuation? In Estonia, a new generation that does not remember the socialist era and is open to global influences has grown up. As a result, the impact of the Soviet memory in people’s conventional values is losing its effective power, opening new opportunities for repair and revaluation of the past. Francisco Martinez brings together a number of sites of interest to explore the vanquishing of the Soviet legacy in Estonia: the railway bazaar in Tallinn where concepts such as ‘market’ and ‘employment’ take on distinctly different meanings from their Western use; Linnahall, a grandiose venue, whose Soviet heritage now poses diffi cult ...
Archaeology and Intentionality
Archaeology and Intentionality explores perhaps one of the most overlooked topics in archaeology, that of intentionality. In archaeology, most explanations of human behaviour rely on intentionality, and this book fills a surprising gap in the literature. By identifying the historical trajectory of the notion of intentionality, this book reframes our understanding of what it means to act intentionally and how archaeologists provide explanations concerning past (and present) societies. In general, this book presents a strong framework for archaeological research, one that fits to current archaeological practices and research around the world. This framework considers that past actors were not ...
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