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Empire to Nation
Offers a new consideration of the image of the sea in British visual culture during a critical period for both the rise of the visual arts in Britain and the expansion of the nation's imperial power.
British Art and the East India Company
Examines the role of the East India Company in the production and development of British art, demonstrating how art and related forms of culture were closely tied to commerce and the rise of the commercial state. This book examines the role of the East India Company in the production and development of British art during the eighteenth and early nineteenth centuries, when a new "school" of British art was in its formative stages with the foundation of exhibiting societies and the Royal Academy in 1768. It focuses on the Company's patronage, promotion and uses of art, both in Britain and in India and the Far East, and how the Company and its trade with the East were represented visually, thro...
A Guide to Eighteenth-Century Art
A Guide to Eighteenth-Century Art offers an introductory overview of the art, artists, and artistic movements of this exuberant period in European art, and the social, economic, philosophical, and political debates that helped shape them. Covers both artistic developments and critical approaches to the period by leading contemporary scholars Uses an innovative framework to emphasize the roles of tradition, modernity, and hierarchy in the production of artistic works of the period Reveals the practical issues connected with the production, sale, public and private display of art of the period Assesses eighteenth-century art’s contribution to what we now refer to as ‘modernity’ Includes numerous illustrations, and is accompanied by online resources examining art produced outside Europe and its relationship with the West, along with other useful resources
J.M.W. Turner and the Subject of History
J.M.W. Turner and the Subject of History is an in-depth consideration of the artist's complex response to the challenge of creating history paintings in the early nineteenth century. Structured around the linked themes of making and unmaking, of creation and destruction, this book examines how Turner's history paintings reveal changing notions of individual and collective identity at a time when the British Empire was simultaneously developing and fragmenting. Turner similarly emerges as a conflicted subject, one whose artistic modernism emerged out of a desire to both continue and exceed his eighteenth-century aesthetic background by responding to the altered political and historical circumstances of the nineteenth century.
Lucky Valley
Why does Edward Long's History of Jamaica matter? Written in 1774, Long's History, that most 'civilised' of documents, attempted to define White and Black as essentially different and unequal. Long deployed natural history and social theory, carefully mapping the island, and drawing on poetry and engravings, in his efforts to establish a clear and fixed racialized hierarchy. His White family sat at the heart of Jamaican planter society and the West India trade in sugar, which provided the economic bedrock of this eighteenth-century system of racial capitalism. Catherine Hall tells the story behind the History of a slave-owning family that prospered across generations together with the destruction of such possibilities for enslaved people. She unpicks the many contradictions in Long's thinking, exposing the insidious myths and stereotypes that have poisoned social relations over generations and allowed reconfigured forms of racial difference and racial capitalism to live on in contemporary societies.
The Silent Rhetoric of the Body
Matthew Craske looks closely at tomb sculptures in their social context. He discusses a large number of monuments by many different sculptors, all with a knowledge of the person commemorated and the circumstances behind the commission.
Art and Emancipation in Jamaica
Coinciding with the bicentenary of the abolition of the British slave trade, this multi-disciplinary volume chronicles the iconography of sugar, slavery, and the topography of Jamaica from the beginning of British rule in 1655 to the aftermath of emancipation in the 1840s. Focusing on the visual and material culture of slavery and emancipation in Jamaica, it offers new perspectives on art, music, and performance in Afro-Jamaican society and on the Jewish diaspora in the Caribbean. Central to the book is "Sketches of Character "(1837-38)--a remarkable series of lithographs by the Jewish Jamaican artist Isaac Mendes Belisario--the earliest visual representation of the masquerade form Jonkonnu. Innovative scholarship traces the West African roots of Jonkonnu through its evolution in Jamaica and continuing transformation today; offers a unique portrait of Jamaican culture at a pivotal historical moment; and provides a new model for interpreting the visual culture of empire.
Nelson and Napoleonm Limited
With an introduction by N.A.M. Rodger and accompanying essays by leading international experts, this text explores the political, social and cultural contexts for one of the most significant naval battles in history.
Art, Politics and Society in Britain (1880-1914)
The oldest word in politics is â oenewâ . The oldest word in the writing of history may well be â oemodernâ it is, without doubt, one of the most overworked adjectives in the English language. But the indeterminacy is perhaps just another way of saying that the difficulties raised are of a kind which simply will not go awayâ ] This collection of eight essays on aspects of modernity and modernism takes up the challenge of examining the complex, but fascinating convergence of aesthetics, politics and a quasi-spiritual dimension which is perhaps typical of British modernist thinking about modernity. This may have produced figures whom we now dismiss as eccentrics or â oeaesthetesâ , it n...
