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The federally recognized Round Valley Indian Tribes are a small, confederated people whose members today come from twelve indigenous California tribes. In 1849, during the California gold rush, people from several of these tribes were relocated to a reservation farm in northern Mendocino County. Fusing Native American history and labor history, William Bauer Jr. chronicles the evolution of work, community, and tribal identity among the Round Valley Indians in the nineteenth and twentieth centuries that enabled their survival and resistance to assimilation. Drawing on oral history interviews, Bauer brings Round Valley Indian voices to the forefront in a narrative that traces their adaptations to shifting social and economic realities, first within unfree labor systems, including outright slavery and debt peonage, and later as wage laborers within the agricultural workforce. Despite the allotment of the reservation, federal land policies, and the Great Depression, Round Valley Indians innovatively used work and economic change to their advantage in order to survive and persist in the twentieth century. We Were All Like Migrant Workers Here relates their history for the first time.
Most histories of the Civil War era portray the struggle over slavery as a conflict that exclusively pitted North against South, free labor against slave labor, and black against white. In Freedom’s Frontier, Stacey L. Smith examines the battle over slavery as it unfolded on the multiracial Pacific Coast. Despite its antislavery constitution, California was home to a dizzying array of bound and semibound labor systems: African American slavery, American Indian indenture, Latino and Chinese contract labor, and a brutal sex traffic in bound Indian and Chinese women. Using untapped legislative and court records, Smith reconstructs the lives of California’s unfree workers and documents the p...
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Recipient of the Jo Anne Stolaroff Cotsen Prize The product of ten years of fieldwork at Little Lake Ranch in the Rose Valley, the southern gateway to the Owens Valley, this book presents the results of intensive rock art analyses carried out by the interdisciplinary research team of the UCLA Rock Art Archive. The research attempts to establish a connective web of associations to break down traditional but artificial barriers between rock art and the rest of archaeology. Through time-honored methods of stylistic analysis, the focus is on recent breakthroughs in the analysis of meaning and religion in the context of landscape attributes and ecological opportunities. Regional or ethnic differences suggested by the rock art record has made it possible to create a flexible analytical framework containing previously unpublished or overlooked archaeological excavation and object data. This book describes the occurrence, concentration, distribution, and formal variation of pecked and painted motifs. Scratched, pecked, and painted patterns are analyzed separately. Full-color illustrations throughout enhance the physical appeal of this beautiful book.