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Central to the discussions of each novel are questions of guilt, cultural identity, and atonement, and of the relocation of these ultimately unresolvable issues from the larger national and political arena to the realm of intimate relationships between parents and children."--BOOK JACKET.
Beginning with the question of the role of the past in the shaping of a contemporary identity, this volumes spans three generations of German and Austrian writers and explores changes and shifts in the aesthetics of Vergangenheitsbewältigung (coming to terms with the past). The purpose of the book is to assess contemporary German literary representations of National Socialism in a wider context of these current debates. The contributors address questions arising from a shift over the last decade, triggered by a generation change-questions of personal and national identity in Germany and Austria, and the aesthetics of memory. One of the central questions that emerges in relation to the Hitler youth generation is that of biography, as examined through Günter Grass' and Martin Walser's conflicting views on the subject of National Socialism. Other themes explored here are the conflict between the post-war generations and the contributions of that conflict to (West)-German mentality, and the growing historical distance and its influence on the aesthetics of representation.
This critical survey of Thomas Bernhard's novels highlights a recurring theme of 'three' in Bernard's work. Thomas J. Cousineau argues that each of Bernhard's novels, although firmly anchored in Austrian history, emerges from an archetypal story involving three figures: protagonist, scapegoat and author.
The last decade has undoubtedly been the most controversial in the long literary career of Martin Walser. This volume presents a review of this career, going far beyond short-lived arguments to present an insightful overview of much of his work. It considers not only major aspects of his writing, covering both his literary beginnings and the most recent works, but also different, previously neglected features of his persona and his writing, namely his activity as a university teacher and his art criticism. In addition, fruitful comparisons are made with other writers, such as Proust, Grass and Uwe Johnson. At the same time, recent controversies are also considered with major attention being paid to Walser’s public speeches and those works of fiction which have been seen by some as demanding the end of German self-recriminations over the Nazi past. This volume is unique in that much space is devoted to both sides of the argument. It will provide stimulating reading to all those interested in Germany and German literature.
Includes appendices.
Includes appendices.
Critical essays examine representative plays and identify themes and characteristics employed by fifty dramatists not covered in the original series. Also updates the original series with more recent information on prizes, achievements, and awards of the literary form.