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Trusting Recovery and Desistance
The social processes which underpin and shape our lives have the power to significantly transform the trajectories of people experiencing recovery from addiction and desistance from crime. Recovery from addiction and desistance from crime are processes which are often experienced and supported in the same physical spaces and are also frequently experienced by the same people. This book therefore synthesises and presents research on the social influences of recovery and desistance. This book presents the social component model of recovery from addiction and desistance from crime: a strength-based approach presenting case studies to better understand the social factors of both recovery from ad...
Selfie Aesthetics
In Selfie Aesthetics Nicole Erin Morse examines how trans feminine artists use selfies and self-representational art to explore transition, selfhood, and relationality. Morse contends that rather than being understood as shallow emblems of a narcissistic age, selfies can produce politically meaningful encounters between creators and viewers. Through close readings of selfies and other digital artworks by trans feminist artists, Morse details a set of formal strategies they call selfie aesthetics: doubling, improvisation, seriality, and nonlinear temporality. Morse traces these strategies in the work of Zackary Drucker, Vivek Shraya, Tourmaline, Alok Vaid-Menon, Zinnia Jones, and Natalie Wynn, showing how these artists present improvisational identities and new modes of performative resistance by conveying the materialities of trans life. Morse shows how the interaction between selfie creators and viewers constructs collective modes of being and belonging in ways that envision trans feminist futures. By demonstrating the aesthetic depth and political potential of selfie creation, distribution, and reception, Morse deepens understandings of gender performativity and trans experience.
Uneasy Dreams
There has been a tremendous amount of renewed interest in the output of Britain's Hammer Films. But there remain a great number of worthwhile British horror films, made at the same time by other companies, that have received little attention. The author provides a comprehensive listing of British horror films--including science fiction, fantasy, and suspense films containing horror-genre elements--that were released between 1956 and 1976, the "Golden Age" of British horror. Entries are listed alphabetically by original British title, from Vincent Price in The Abominable Dr. Phibes (1971) to Zeta One (1969). Entries also include American title, release information, a critique of the film, and the film's video availability. The book is filled with photographs and contains interviews with four key figures: Max J. Rosenberg, cofounder of Amicus Productions, one of the period's major studios; Louis M. Heyward, former writer, film executive and producer; Aida Young, film and television producer; and Gordon Hessler, director of such films as The Oblong Box and Murders in the Rue Morgue.
The Lester Family Collection/An Unwilling Conquest/A Lady Of Expectations/The Reasons For Marriage
In The Reasons for Marriage, Lenore Lester was perfectly content with her quiet country life, caring for her father, and having no desire for marriage. She took steps to remain inconspicuous and tried her best to show indifference—but no avail! The irresistible Duke of Eversleigh had found her out and was quite persistent in his affections... In A Lady of Expectations, Jack Lester had to find a bride...but where could he find the perfect woman to accept him as he was: devilishly handsome, responsible and poor as a church mouse! If he publicized his hidden wealth, disaster would certainly follow Sophie Winterton was everything he desired—and more. But Sophie knew that Jack needed to marry...
Feature Films, 1960–1969
This is a filmography, in two volumes, of not only all of the English-language movies made during the 1960s that had a U. S. theatrical release but major foreign films exhibited in the United States as well. The following information is provided for each film: year of release, nation of origin if other than the U.S., production or distribution company, black and white or color, running time, genre, production credits, cast and characters, and a brief synopsis. This turbulent decade is unusually interesting in the history of cinema. Those films released in the early part of the decade were similar to those of the 1950s, but as the years passed, the offerings changed in many ways.
David Lean
The life and its biographer provide a landmark work on the cinema. Emerging from a childhood of nearly Dickensian darkness, David Lean found his great success as a director of the appropriately titled Great Expectations. There followed his legendary black-and-white films of the 1940s and his four-film movie collaboration with Noel Coward. Lean's 1955 film Summertime took him from England to the world of international moviemaking and the stunning series of spectacular color epics that would gain for his work twenty-seven Academy Awards and fifty-six Academy Award nominations. All are classics, including The Bridge on the River Kwai, Lawrence of Arabia, Doctor Zhivago, and A Passage to India. ...
TV Guide
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Agatha Christie: A Life in Theatre: Curtain Up
A revealing and witty new examination of how Agatha Christie became the world’s most successful and popular female playwright, including details of never-before-published scripts and stories.
The Film Daily
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