You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The travel accounts of Frédéric Cailliaud were an important early contribution to the birth of Egyptology in the first half of the nineteenth century. But one of his major works was never published. For the first time here, his exquisite color plates are presented alongside a translation of his original French text. Arriving in Egypt in 1815, Cailliaud made copious notes on the flora and fauna, people and antiquities, and took a collection of over two thousand objects back to France. His beautifully rendered watercolors of scenes on ancient Egyptian tombs and temples show animated scenes of ancient daily life.
"In The Representations of Women in the Middle Kingdom Tombs of Officials Lubica Hudáková offers an in-depth analysis of female iconography in the decorative programme of Middle Kingdom non-royal tombs, highlighting changes and innovations in comparison to the Old Kingdom. Previously considered too uniform, the study represents the first systematic investigation of two-dimensional images of women and reveals their variability in space and time. Hudáková examines the roles appointed to women by analyzing how they are depicted in a variety of contexts. Taking into account their postures, gestures, garments, hairstyles, size of the body, age as well as attributes and tools used by them, along with the scene orientation, she traces diachronic and diatopic developments and regional traditions in the Middle Kingdom tomb decoration"--
This landmark, interdisciplinary publication of the Red Monastery church, the most important Christian monument in Egypt's Nile Valley, highlights its remarkable and newly conserved paintings and architectural sculpture.
A fascinating look at the artistically productive reign of Hatshepsut, a female pharaoh in ancient Egypt
This stunning catalogue documents and accompanies an exhibition held at the Kimbell Art Museum that represents the first comprehensive survey of the history of private art collecting in Texas.
None
None