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Wild Visionary
Wild Visionary reconsiders Maurice Sendak's life and work in the context of his experience as a Jewish gay man. Maurice (Moishe) Bernard Sendak (1928–2012) was a fierce, romantic, and shockingly funny truth seeker who intervened in modern literature and culture. Raising the stakes of children's books, Sendak painted childhood with the dark realism and wild imagination of his own sensitive "inner child," drawing on the queer and Yiddish sensibilities that shaped his singular voice. Interweaving literary biography and cultural history, Golan Y. Moskowitz follows Sendak from his parents' Brooklyn home to spaces of creative growth and artistic vision—from neighborhood movie palaces to Hell's...
Fire Island
Fire Island: a slim strip of land off the coast of New York, and a place of hedonism, reinvention, liberation. Arriving on the island after a break-up back home in England, scholar and poet Jack Parlett was beguiled by what he found. Here were the halcyon scenes of Frank O'Hara's poetry; the bars where Patricia Highsmith got drunk; the infamous cruising sites; and the dazzling beaches where couples had fallen in and out of love, free for a sun-kissed moment to be themselves in the time before gay liberation. Tracing Fire Island's rich history, Parlett leads the reader through the early days of the island's life as a discreet home for same-sex love, to the wild parties of the post-Stonewall disco era, to the residents' confrontation with the AIDS epidemic, and into a present where a host of new challenges threaten the island's future. Lyrical and vivid, Fire Island is a hymn to an iconic destination, and to the men and women whose ardour and determination spread freedom across its shores.
Jewish Primitivism
Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism—the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated—was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L...
The Oldest Guard
The Oldest Guard tells the story of Zionist settler memory in and around the private Jewish agricultural colonies (moshavot) established in late nineteenth-century Ottoman Palestine. Though they grew into the backbone of lucrative citrus and wine industries of mandate Palestine and Israel, absorbed tens of thousands of Jewish immigrants, and became known as the "first wave" (First Aliyah) of Zionist settlement, these communities have been regarded—and disregarded—in the history of Zionism as sites of conservatism, lack of ideology, and resistance to Labor Zionist politics. Treating the "First Aliyah" as a symbol created and deployed only in retrospect, Liora R. Halperin offers a richly textured portrait of commemorative practices between the 1920s and the 1960s. Drawing connections to memory practices in other settler societies, The Oldest Guard demonstrates how private agriculturalists and their advocates in the Zionist center and on the right celebrated and forged the "First Aliyah" past, revealing the centrality of settlement to Zionist collective memory and the politics of Zionist settler "firstness."
The Invention of a Tradition
The Gaon of Vilna was the foremost intellectual leader of non-Hasidic Jewry in eighteenth-century Europe; his legacy is claimed by religious Jews, both Zionist and not. In the mid-twentieth century, Shlomo Zalman Rivlin wrote several books advancing the myth that the Gaon was an early progenitor of Zionism. Following the 1967 War in Israel, messianic sentiments spread in some circles of the national-religious public in Israel, who embraced this myth and made it a central component of the historical narrative they advanced. For those who identified with the religious Zionist enterprise, the myth of the Gaon and his disciples as the first Zionists was seen as proof of the righteousness of thei...
Queer Jewish Sendak
"Queer Jewish Sendak newly situates Maurice Sendak's life and work in the fields of queer studies, transnational Jewish history, Holocaust memory, and childhood studies. The book iinvestigates how Sendak's writing and creative vision express intersections of queer and Jewish elements in his subjectivity during a time that preceded mainstream acceptance of gay and ethnically Eastern European Jewish cultures and desires. Golan Moskowitz considers picture books, interviews, and extensive archival materials to understand Sendak's artistic investment in the figure of the disenfranchised child"--
In the Shadow of the Holocaust
A first-of-its kind collection of short stories that provides an underappreciated perspective on the Holocaust, as it was experienced and remembered in the former Soviet Union. A death camp survivor asks a local woman to write down in Russian his story, which he conveys in Yiddish. The Jewish population of Kyiv makes a pilgrimage to the site of a massacre on its anniversary. A single teacup becomes the focal point of a Jewish family's complex history. These are just three of the stories featured in In the Shadow of the Holocaust: Short Fiction by Jewish Writers from the Soviet Union, a collection of newly translated short fiction written in the aftermath of one of the most significant Jewish...
The Jews of Summer
In the decades directly following the Holocaust, American Jewish leaders anxiously debated how to preserve and produce what they considered authentic Jewish culture, fearful that growing affluence and suburbanization threatened the future of Jewish life. Many communal educators and rabbis contended that without educational interventions, Judaism as they understood it would disappear altogether. They pinned their hopes on residential summer camps for Jewish youth: institutions that sprang up across the U.S. in the postwar decades as places for children and teenagers to socialize, recreate, and experience Jewish culture. Adults' fears, hopes, and dreams about the Jewish future inflected every ...
Where the Wild Things Were
"How might reading Benjamin Spock and Margaret Mead help us to better understand Dennis the Menace, Harold and the Purple Crayon, and Mr. Roger's Neighborhood?"--
Modernism at the Beach
Winner, 2024 MSA Book Prize, Modernist Studies Association At the beach, bodies converge with the elements and strange treasures come to light. Departing from the conventional association of modernism with the city, this book makes a case for the coastal zone as a surprisingly generative setting for twentieth-century literature and art. An unruly and elusive confluence of human and more-than-human forces, the seashore is also a space of performance—a stage for loosely scripted, improvisatory forms of embodiment and togetherness. The beach, Hannah Freed-Thall argues, was to the modernist imagination what mountains were to Romanticism: a space not merely of anthropogenic conquest but of vita...
