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Broadly speaking, book diplomacy covers the use of books to achieve certain objectives related to the foreign policy interests of a given country, usually involving state-private partnerships of varying degrees. In this volume, scholars from different disciplines examine in detail how books functioned as tools of “soft power” and cultural diplomacy during the cultural Cold War. This study also introduces a 10-point typology to examine the many forms and practices of Cold War book diplomacy and the diversity of objectives and outcomes that they involved. Looking beyond the Cold War, this volume stresses the continuing importance of books as a distinct form of material culture used to convey information around the world. Contributors are: Tahoor Ali, Hanna Blum, Deborah Cohn, Cécile Cottenet, Alexander Erokhin, Esmaeil Haddadian-Moghaddam, Musa Igrek, Julia Lin Thompson, Rósa Magnúsdóttir, Christos Mais, Hafiz Abid Masood, Mila Milani, Birgitte Beck Pristed, Giles Scott-Smith, Ilaria Sicari, and Steven W. Witt.
With contributions by Greg Barnhisel, John N. Duvall, Kristin Fujie, Sarah E. Gardner, Jaime Harker, Kristi Rowan Humphreys, Robert Jackson, Mary A. Knighton, Jennifer Nolan, Carl Rollyson, Tim A. Ryan, Jay Satterfield, Erin A. Smith, Jay Watson, and Yung-Hsing Wu William Faulkner's first ventures into print culture began far from the world of highbrow New York publishing houses such as Boni & Liveright or Random House and little magazines such as the Double Dealer. With that diverse publishing history in mind, this collection explores Faulkner's multifaceted engagements, as writer and reader, with the US and international print cultures of his era, along with how these cultures have mediate...
Telling America's Story to the World is the first study to demonstrate the important role that US cultural diplomacy played in the making of postwar US literature. It does so by discussing how the work of Ralph Ellison, Robert Frost, William Faulkner, Langston Hughes, and Maxine Hong Kingston was used to demonstrate American cultural identity.
This book offers a comprehensive guide to global literary engagement with the Cold War. Eschewing the common focus on national cultures, the collection defines Cold War literature as an international current focused on the military and ideological conflicts of the age and characterised by styles and approaches that transcended national borders. Drawing on specialists from across the world, the volume analyses the period’s fiction, poetry, drama and autobiographical writings in three sections: dominant concerns (socialism, decolonisation, nuclearism, propaganda, censorship, espionage), common genres (postmodernism, socialism realism, dystopianism, migrant poetry, science fiction, testimonial writing) and regional cultures (Asia, Africa, Oceania, Europe and the Americas). In doing so, the volume forms a landmark contribution to Cold War literary studies which will appeal to all those working on literature of the 1945-1989 period, including specialists in comparative literature, postcolonial literature, contemporary literature and regional literature.
Winner of the 2024 ACLA Harry Levin Prize A bold comparative study illustrating the creative potential of translations that embrace mutuality and resist assimilation Cannibal translators digest, recombine, transform, and trouble their source materials. Isabel C. Gómez makes the case for this model of literary production by excavating a network of translation projects in Latin America that includes canonical writers of the twentieth century, such as Haroldo and Augusto de Campos, Rosario Castellanos, Clarice Lispector, José Emilio Pacheco, Octavio Paz, and Ángel Rama. Building on the avant-garde reclaiming of cannibalism as an Indigenous practice meant to honorably incorporate the other in...
Highlights the transformative impact that book publishers had on the modernist movementPublishing houses are nearly invisible in modernist studies. Looking beyond little magazines and other periodicals, this collection highlights the importance of book publishers in the diffusion of modernism. It also participates in the transnational turn in modernist studies, demonstrating that book publishers created new markets for modernist texts in the United States, Europe and the rest of the world. Key Features:The first volume on Anglo-American book publishers that sold difficult modernist texts to a wide range of readers around the worldSheds new light on the relationship between publishers and major modernist writersIncludes essays of broad significance written in an accessible proseDraws on extensive work in neglected archives
This series is designed specifically to meet the curricular needs of high school and undergraduate college students studying poetry. A quick but information-rich reference source, each volume of Poetry for Students provides analysis of 16 poems that teachers and librarians have identified as the most frequently studied.
European intellectuals of the 1950s dismissed American culture as nothing more than cowboy movies and the A-bomb. In response, American cultural diplomats tried to show that the United States had something to offer beyond military might and commercial exploitation. Through literary magazines, traveling art exhibits, touring musical shows, radio programs, book translations, and conferences, they deployed the revolutionary aesthetics of modernism to prove—particularly to the leftists whose Cold War loyalties they hoped to secure—that American art and literature were aesthetically rich and culturally significant. Yet by repurposing modernism, American diplomats and cultural authorities turn...
Ezra Pound forever changed the course of poetry. The author of a vast body of literature, his enormous range of references and use of multiple languages make him one of the most obscure authors and—because of his Fascism, anti-Semitism, and questionable sanity—one of the most controversial. This encyclopedia is a concise yet comprehensive guide to his life and writings. Included are more than 250 alphabetically arranged entries on such topics as Arabic history, Chinese translation, dance, Hilda Doolittle, Egyptian literature, Robert Frost, and Pound's publications. The entries are written by roughly 100 expert contributors and cite works for further reading. Ezra Pound forever changed th...